t S it
conneCted
largely w;lh
-l, thaI aflcr 21.
-l, thaI aflcr 21.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
'
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is. flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"". . . MuMaIW. ? . MakNuu\on'). . . . . Mn Glas?
heen notes,"? 1M SOOI have quarrelled over tbdr . iller and 10111 hertoano! ~rman. ? TheynowMveI joint&ric"""""IndI. -- '0 combine their energies, but Ihi. does OOt 0(:<CUr until liter in book II.
Storlello . a She II Syun&
11>t f<. >Ur book II . hapten occupy the houn between dual< (1. 1) &lid midnicht (111. 1). 11. 2 and 11. 1 1<< the most opaque epioodes in FW, bUI <hey ~ opoque in totlily diffc. c", senses. II. : hu an irnmtdiale poelic appeal, with much WKlistc)l"lw Engliu. and I Kducliv(ly nanmol romtruction. 11. 3 i. intmscly contrived, with In incredi ble overjtrOWth or poIyglol: irrcconcilables. BUI the liner
Ulua Uy prove 10 be equiv. l('It" of senlet . lready manifest, while Ihe nq\li, itc concinnity or 11. 1 may leal ill mystery fOl all lime. II iI, supremely, the d,aplcr of Ineffable? . Hence the diag. . . ml, tyl""&"Phical chi""'. . . . , footnotes Ind marginal notes, with wh ich
meanings are thrust in from Ill. ide? .
Thc noles p". p"tua? ? the trial\iular <<lariotuhip of I:, A and
-t To -1,<< alligncd the foomoles, while C and A MVC, rest><<? lively, the left and rishl mallPIII up 10 18,. 17. At thi. point the "",in tal broadms, ingestin& the margi. . . ; ",hen ! hcy rop. ,ar at 29). 01C and A Mye changtd . ides. VI. B. )6. 264 . tI. ,. . :'margj. nat noIeschanlcsidcs. ' Upon mi. primary bifurcation is imposed. Il. tCOIldary one: the region \lp 10 lSi.
t S it conneCted largely w;lh
-l, thaI aflcr 21. with C and A.
Il. i ;, rotlCtlned with leamins. that of ~ being lit. . . . . ! ")' . nd hl,-
! orical, tha. ofI: and A ma,bematical. The -I section has I . . rial qualily and, in view of iu ,\lbj. -. ;t,. he acadanic commcotlry of A? . PI. . . . . . . . ph beadings '\lUes. a hinary book. "l1><:$c headinp ~ Iiso frequentl, allite. . . tive ;n view ofthe prosodic conttm. We find 'PROBAPOSSIBLE PRO LEGOMENA TO IDEAREAL
~c-. . . II, d.
SloricHa ? ? She i. Sy""3 61
? 6~ The Sigla of Fi=q:(ms Wah.
nur;inal notes domct throughout, with theie oomic, apocryphal ambiguity.
The-lStttionilintroducedby. i~pagn oflocalizationinwhich the narrators 1cd< m Thoir priority, 'UNDE ET UBI' (260. RI) leads them vi. 'Old ViCQ Roundpoin{' (Piazza Giambatri. ,a ViCQ in T riesle) toward. 'Dominic Direcru. ' (261. :1<>-21). According 10 ViC<! , with Ihe rerum of barbo. ri$m in dodining Rome, 'Thffe WO$ a return 10 the twO kinds of ow""rship, dir<<t ";d useful- dominium elirtC""" and dominium II/i/_which oo". copond exactly to the quiritary and bonitary ownenhip of the ancient Romans . . . the direct ownership of the early barbarian, came finally 10 meanownershipwhichgiv01ri$C10arealcivilaction. '" The'lueS! for the personification of ownership leads pa. t the sevm wonders of the world (261. 09-13) imo the path of the tm Sephiroth (l6 I. l3-3 1). The searchers eventwlily reach Castlel<nock and cmnc upon an inn and iI'S publican (262. 26-9) . Entcrinll Chapel- izod we find a mass of extracts from the appropriate section of
TIwm'. DiriX/ory, entitled 'THE LOCALISA TION OF LEGEND LEADINGTO THE LEGAUSAT ION OF LATI_ FUNDISM'. " From 'the murk of the mythelated' in the bar- room we pan the breal<fa. t-room and toilet 10 'the clarience of the chiIdliaht in {he otudioriwn' up<Jtain. H ere the children of II. I are engaged in homewod: covering the discipliMs JUSt mmtiOnM. T ill ! : and A are ready 10 wrangle (in tht . = d part), let us now sed< -I, 'Sloriclla . . . she i. syung' (267? 07- 8). Thi. wa! ! Joyce'. title for ! ltc individually published 11. 2' <lOTi. lta i. the diminu. ive of Italian stma, history or story, and the phrase recurs. , 486. 06: 'Hisoory a. her i. harped. ' It ",fen to Eng/i'h aJ SJu i. Spoil. ," an . hridgcmel11 0f P. Caroline', 'New Guid<: ofthc Conversation in PorlUguel<' and Engli,h', of which the editor comments 'it has b e e n r n e r v e d t<> c u e o w n t i m e f o r a w j d i s a m i r u t r u c l O r 1 0 p c r p c - u. . . t . - t hi' own cxpense--the morutroUlO joke of publishing a Guide to Conversalion in a languajiie ofwhich it i, only 100 ovident that tvcry word i. utterly "range to him. ' Thi. il tho kind of thing -I i. WTiting, and nuny of her fooenol"" poucu the di. tinc- tive . tyle of Carelino. Here i. a typical cnm. pk, from F"",i/iar Dialog"". :
" T G? lI<<rinooiO M. t? \. "iI<lI(<<I~). TIM N . . . Sd. . ou<if~". "" V. . . . (ItJ. . 0<&. eo. ""n Uoi"",;ty l'r<a 'w\)6~ (po. . . . pb. '07}-4).
. . S<:<Frit>Smn,'"TheL"",I;"';'"qfl<J<n<! >. AWNVlll. l ('97'~Io-I).
"ild;ood by ,. . . . . . Mi1n o . - (l. <>n<Ion, F. ,id . nd 1"uet- 111)). "The aampi< qoou;d ;. on '6.
? Storiella as She i, SYI1ll8 63 THE WALK
Will you and take a walk whh me?
Wait foe lhal Ihe w,um be Out.
00 . hrough lhat mudo",. Who the COunlfY il beautiful!
who the t. -ees are thick t Takt Ibe bloom? , perfume.
It~m$methatthecorndoespllShalready. You hear the bird', gurgling?
Which plc. . ,u,e! which charm!
The field has by me a d><"'sund [tie] charm? .
-ti. he", both a story and its wciter. She composrs a kl. ler which ; ? ? v a r i a n t o n t h a t p r e v i o u s l y e n c o u n t e " , d , en~p>ul aring f r a w , " " of m like the mound and Ibe museum. Up to 272. 08 she studies
Ireland', Punic W an, :md drsigns lleXuai campaigns in grammati- cal jargOn. The namrs of tenses obviously epitomize history, and from 173. " Ibe lener begin. 10 incorporate item. fTOm A', . . . lvag_ ing or . hoplifting. The . poils constitute 'a loovely freeopee<;h', relating Ibe advance from dichotomy (I: A) . hrough conciliance
to dynas. ic continuity (111). m i. thu, inf. . . . liminally buried beneath ? dungmound (l76.
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is. flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"". . . MuMaIW. ? . MakNuu\on'). . . . . Mn Glas?
heen notes,"? 1M SOOI have quarrelled over tbdr . iller and 10111 hertoano! ~rman. ? TheynowMveI joint&ric"""""IndI. -- '0 combine their energies, but Ihi. does OOt 0(:<CUr until liter in book II.
Storlello . a She II Syun&
11>t f<. >Ur book II . hapten occupy the houn between dual< (1. 1) &lid midnicht (111. 1). 11. 2 and 11. 1 1<< the most opaque epioodes in FW, bUI <hey ~ opoque in totlily diffc. c", senses. II. : hu an irnmtdiale poelic appeal, with much WKlistc)l"lw Engliu. and I Kducliv(ly nanmol romtruction. 11. 3 i. intmscly contrived, with In incredi ble overjtrOWth or poIyglol: irrcconcilables. BUI the liner
Ulua Uy prove 10 be equiv. l('It" of senlet . lready manifest, while Ihe nq\li, itc concinnity or 11. 1 may leal ill mystery fOl all lime. II iI, supremely, the d,aplcr of Ineffable? . Hence the diag. . . ml, tyl""&"Phical chi""'. . . . , footnotes Ind marginal notes, with wh ich
meanings are thrust in from Ill. ide? .
Thc noles p". p"tua? ? the trial\iular <<lariotuhip of I:, A and
-t To -1,<< alligncd the foomoles, while C and A MVC, rest><<? lively, the left and rishl mallPIII up 10 18,. 17. At thi. point the "",in tal broadms, ingestin& the margi. . . ; ",hen ! hcy rop. ,ar at 29). 01C and A Mye changtd . ides. VI. B. )6. 264 . tI. ,. . :'margj. nat noIeschanlcsidcs. ' Upon mi. primary bifurcation is imposed. Il. tCOIldary one: the region \lp 10 lSi.
t S it conneCted largely w;lh
-l, thaI aflcr 21. with C and A.
Il. i ;, rotlCtlned with leamins. that of ~ being lit. . . . . ! ")' . nd hl,-
! orical, tha. ofI: and A ma,bematical. The -I section has I . . rial qualily and, in view of iu ,\lbj. -. ;t,. he acadanic commcotlry of A? . PI. . . . . . . . ph beadings '\lUes. a hinary book. "l1><:$c headinp ~ Iiso frequentl, allite. . . tive ;n view ofthe prosodic conttm. We find 'PROBAPOSSIBLE PRO LEGOMENA TO IDEAREAL
~c-. . . II, d.
SloricHa ? ? She i. Sy""3 61
? 6~ The Sigla of Fi=q:(ms Wah.
nur;inal notes domct throughout, with theie oomic, apocryphal ambiguity.
The-lStttionilintroducedby. i~pagn oflocalizationinwhich the narrators 1cd< m Thoir priority, 'UNDE ET UBI' (260. RI) leads them vi. 'Old ViCQ Roundpoin{' (Piazza Giambatri. ,a ViCQ in T riesle) toward. 'Dominic Direcru. ' (261. :1<>-21). According 10 ViC<! , with Ihe rerum of barbo. ri$m in dodining Rome, 'Thffe WO$ a return 10 the twO kinds of ow""rship, dir<<t ";d useful- dominium elirtC""" and dominium II/i/_which oo". copond exactly to the quiritary and bonitary ownenhip of the ancient Romans . . . the direct ownership of the early barbarian, came finally 10 meanownershipwhichgiv01ri$C10arealcivilaction. '" The'lueS! for the personification of ownership leads pa. t the sevm wonders of the world (261. 09-13) imo the path of the tm Sephiroth (l6 I. l3-3 1). The searchers eventwlily reach Castlel<nock and cmnc upon an inn and iI'S publican (262. 26-9) . Entcrinll Chapel- izod we find a mass of extracts from the appropriate section of
TIwm'. DiriX/ory, entitled 'THE LOCALISA TION OF LEGEND LEADINGTO THE LEGAUSAT ION OF LATI_ FUNDISM'. " From 'the murk of the mythelated' in the bar- room we pan the breal<fa. t-room and toilet 10 'the clarience of the chiIdliaht in {he otudioriwn' up<Jtain. H ere the children of II. I are engaged in homewod: covering the discipliMs JUSt mmtiOnM. T ill ! : and A are ready 10 wrangle (in tht . = d part), let us now sed< -I, 'Sloriclla . . . she i. syung' (267? 07- 8). Thi. wa! ! Joyce'. title for ! ltc individually published 11. 2' <lOTi. lta i. the diminu. ive of Italian stma, history or story, and the phrase recurs. , 486. 06: 'Hisoory a. her i. harped. ' It ",fen to Eng/i'h aJ SJu i. Spoil. ," an . hridgcmel11 0f P. Caroline', 'New Guid<: ofthc Conversation in PorlUguel<' and Engli,h', of which the editor comments 'it has b e e n r n e r v e d t<> c u e o w n t i m e f o r a w j d i s a m i r u t r u c l O r 1 0 p c r p c - u. . . t . - t hi' own cxpense--the morutroUlO joke of publishing a Guide to Conversalion in a languajiie ofwhich it i, only 100 ovident that tvcry word i. utterly "range to him. ' Thi. il tho kind of thing -I i. WTiting, and nuny of her fooenol"" poucu the di. tinc- tive . tyle of Carelino. Here i. a typical cnm. pk, from F"",i/iar Dialog"". :
" T G? lI<<rinooiO M. t? \. "iI<lI(<<I~). TIM N . . . Sd. . ou<if~". "" V. . . . (ItJ. . 0<&. eo. ""n Uoi"",;ty l'r<a 'w\)6~ (po. . . . pb. '07}-4).
. . S<:<Frit>Smn,'"TheL"",I;"';'"qfl<J<n<! >. AWNVlll. l ('97'~Io-I).
"ild;ood by ,. . . . . . Mi1n o . - (l. <>n<Ion, F. ,id . nd 1"uet- 111)). "The aampi< qoou;d ;. on '6.
? Storiella as She i, SYI1ll8 63 THE WALK
Will you and take a walk whh me?
Wait foe lhal Ihe w,um be Out.
00 . hrough lhat mudo",. Who the COunlfY il beautiful!
who the t. -ees are thick t Takt Ibe bloom? , perfume.
It~m$methatthecorndoespllShalready. You hear the bird', gurgling?
Which plc. . ,u,e! which charm!
The field has by me a d><"'sund [tie] charm? .
-ti. he", both a story and its wciter. She composrs a kl. ler which ; ? ? v a r i a n t o n t h a t p r e v i o u s l y e n c o u n t e " , d , en~p>ul aring f r a w , " " of m like the mound and Ibe museum. Up to 272. 08 she studies
Ireland', Punic W an, :md drsigns lleXuai campaigns in grammati- cal jargOn. The namrs of tenses obviously epitomize history, and from 173. " Ibe lener begin. 10 incorporate item. fTOm A', . . . lvag_ ing or . hoplifting. The . poils constitute 'a loovely freeopee<;h', relating Ibe advance from dichotomy (I: A) . hrough conciliance
to dynas. ic continuity (111). m i. thu, inf. . . . liminally buried beneath ? dungmound (l76.
