The crane o'er seas and forests seeks her home;
No bird so wild but has its quiet nest,
When it no more would roam;
The sleepless billows on the ocean's breast
Break like a bursting heart, and die in foam, _45
And thus at length find rest:
Doubtless there is a place of peace
Where MY weak heart and all its throbs will cease.
No bird so wild but has its quiet nest,
When it no more would roam;
The sleepless billows on the ocean's breast
Break like a bursting heart, and die in foam, _45
And thus at length find rest:
Doubtless there is a place of peace
Where MY weak heart and all its throbs will cease.
Shelley copy
See Locock,
"Examination", etc. , 1903, page 13. ]
1.
My faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb whose hoofs outspeed the tempest's flight _5
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.
2.
Ah! fleeter far than fleetest storm or steed
Or the death they bear, _10
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love, _15
It may bring to thee.
NOTES:
_3 hoofs]feet B.
_7 were]grew B.
_9 Ah! ]O B.
***
TO EMILIA VIVIANI.
[Published, (1) by Mrs. Shelley, "Posthumous Poems", 1824; (2, 1) by
Dr. Garnett, "Relics of Shelley", 1862; (2, 2 and 3) by H. Buxton
Forman, "Poetical Works of P. B. S. ", 1876. ]
1.
Madonna, wherefore hast thou sent to me
Sweet-basil and mignonette?
Embleming love and health, which never yet
In the same wreath might be.
Alas, and they are wet! _5
Is it with thy kisses or thy tears?
For never rain or dew
Such fragrance drew
From plant or flower--the very doubt endears
My sadness ever new, _10
The sighs I breathe, the tears I shed for thee.
2.
Send the stars light, but send not love to me,
In whom love ever made
Health like a heap of embers soon to fade--
***
THE FUGITIVES.
[Published by Mrs. Shelley, "Posthumous Poems". 1824. ]
1.
The waters are flashing,
The white hail is dashing,
The lightnings are glancing,
The hoar-spray is dancing--
Away! _5
The whirlwind is rolling,
The thunder is tolling,
The forest is swinging,
The minster bells ringing--
Come away! _10
The Earth is like Ocean,
Wreck-strewn and in motion:
Bird, beast, man and worm
Have crept out of the storm--
Come away! _15
2.
'Our boat has one sail
And the helmsman is pale;--
A bold pilot I trow,
Who should follow us now,'--
Shouted he-- _20
And she cried: 'Ply the oar!
Put off gaily from shore! '--
As she spoke, bolts of death
Mixed with hail, specked their path
O'er the sea. _25
And from isle, tower and rock,
The blue beacon-cloud broke,
And though dumb in the blast,
The red cannon flashed fast
From the lee. _30
3.
And 'Fear'st thou? ' and 'Fear'st thou? '
And Seest thou? ' and 'Hear'st thou? '
And 'Drive we not free
O'er the terrible sea,
I and thou? ' _35
One boat-cloak did cover
The loved and the lover--
Their blood beats one measure,
They murmur proud pleasure
Soft and low;-- _40
While around the lashed Ocean,
Like mountains in motion,
Is withdrawn and uplifted,
Sunk, shattered and shifted
To and fro. _45
4.
In the court of the fortress
Beside the pale portress,
Like a bloodhound well beaten
The bridegroom stands, eaten
By shame; _50
On the topmost watch-turret,
As a death-boding spirit
Stands the gray tyrant father,
To his voice the mad weather
Seems tame; _55
And with curses as wild
As e'er clung to child,
He devotes to the blast,
The best, loveliest and last
Of his name! _60
NOTES:
_28 And though]Though editions 1839.
_57 clung]cling editions 1839.
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
Music, when soft voices die,
Vibrates in the memory--
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead, _5
Are heaped for the beloved's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
***
SONG.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a transcript in the Harvard manuscript book. ]
1.
Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day _5
'Tis since thou art fled away.
2.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain. _10
Spirit false! thou hast forgot
All but those who need thee not.
3.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed; _15
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
4.
Let me set my mournful ditty
To a merry measure; _20
Thou wilt never come for pity,
Thou wilt come for pleasure;
Pity then will cut away
Those cruel wings, and thou wilt stay.
5.
I love all that thou lovest, _25
Spirit of Delight!
The fresh Earth in new leaves dressed,
And the starry night;
Autumn evening, and the morn
When the golden mists are born. _30
6.
I love snow, and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be _35
Untainted by man's misery.
7.
I love tranquil solitude,
And such society
As is quiet, wise, and good
Between thee and me _40
What difference? but thou dost possess
The things I seek, not love them less.
8.
I love Love--though he has wings,
And like light can flee,
But above all other things, _45
Spirit, I love thee--
Thou art love and life! Oh, come,
Make once more my heart thy home.
***
MUTABILITY.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a fair draft amongst the Boscombe manuscripts. ]
1.
The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world's delight? _5
Lightning that mocks the night,
Brief even as bright.
2.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss _10
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.
3.
Whilst skies are blue and bright, _15
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou--and from thy sleep _20
Then wake to weep.
NOTES:
_9 how Boscombe manuscript; too editions 1824, 1839.
_12 though soon they fall]though soon we or so soon they cj. Rossetti.
***
LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON.
[Published with "Hellas", 1821. ]
What! alive and so bold, O Earth?
Art thou not overbold?
What! leapest thou forth as of old
In the light of thy morning mirth,
The last of the flock of the starry fold? _5
Ha! leapest thou forth as of old?
Are not the limbs still when the ghost is fled,
And canst thou move, Napoleon being dead?
How! is not thy quick heart cold?
What spark is alive on thy hearth? _10
How! is not HIS death-knell knolled?
And livest THOU still, Mother Earth?
Thou wert warming thy fingers old
O'er the embers covered and cold
Of that most fiery spirit, when it fled-- _15
What, Mother, do you laugh now he is dead?
'Who has known me of old,' replied Earth,
'Or who has my story told?
It is thou who art overbold. '
And the lightning of scorn laughed forth _20
As she sung, 'To my bosom I fold
All my sons when their knell is knolled,
And so with living motion all are fed,
And the quick spring like weeds out of the dead.
'Still alive and still bold,' shouted Earth, _25
'I grow bolder and still more bold.
The dead fill me ten thousandfold
Fuller of speed, and splendour, and mirth.
I was cloudy, and sullen, and cold,
Like a frozen chaos uprolled, _30
Till by the spirit of the mighty dead
My heart grew warm. I feed on whom I fed.
'Ay, alive and still bold. ' muttered Earth,
'Napoleon's fierce spirit rolled,
In terror and blood and gold, _35
A torrent of ruin to death from his birth.
Leave the millions who follow to mould
The metal before it be cold;
And weave into his shame, which like the dead
Shrouds me, the hopes that from his glory fled. ' _40
***
SONNET: POLITICAL GREATNESS.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. There is a
transcript, headed "Sonnet to the Republic of Benevento", in the
Harvard manuscript book. ]
Nor happiness, nor majesty, nor fame,
Nor peace, nor strength, nor skill in arms or arts,
Shepherd those herds whom tyranny makes tame;
Verse echoes not one beating of their hearts,
History is but the shadow of their shame, _5
Art veils her glass, or from the pageant starts
As to oblivion their blind millions fleet,
Staining that Heaven with obscene imagery
Of their own likeness. What are numbers knit
By force or custom? Man who man would be, _10
Must rule the empire of himself; in it
Must be supreme, establishing his throne
On vanquished will, quelling the anarchy
Of hopes and fears, being himself alone.
***
THE AZIOLA.
[Published by Mrs. Shelley in "The Keepsake", 1829. ]
1.
'Do you not hear the Aziola cry?
Methinks she must be nigh,'
Said Mary, as we sate
In dusk, ere stars were lit, or candles brought;
And I, who thought _5
This Aziola was some tedious woman,
Asked, 'Who is Aziola? ' How elate
I felt to know that it was nothing human,
No mockery of myself to fear or hate:
And Mary saw my soul, _10
And laughed, and said, 'Disquiet yourself not;
'Tis nothing but a little downy owl. '
2.
Sad Aziola! many an eventide
Thy music I had heard
By wood and stream, meadow and mountain-side, _15
And fields and marshes wide,--
Such as nor voice, nor lute, nor wind, nor bird,
The soul ever stirred;
Unlike and far sweeter than them all.
Sad Aziola! from that moment I _20
Loved thee and thy sad cry.
NOTES:
_4 ere stars]ere the stars editions 1839.
_9 or]and editions 1839.
_19 them]they editions 1839.
***
A LAMENT.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
O world! O life! O time!
On whose last steps I climb,
Trembling at that where I had stood before;
When will return the glory of your prime?
No more--Oh, never more! _5
2.
Out of the day and night
A joy has taken flight;
Fresh spring, and summer, and winter hoar,
Move my faint heart with grief, but with delight
No more--Oh, never more! _10
***
REMEMBRANCE.
[Published by Mrs. Shelley, "Posthumous Poems", 1824, where it is
entitled "A Lament". Three manuscript copies are extant: The Trelawny
manuscript ("Remembrance"), the Harvard manuscript ("Song") and the
Houghton manuscript--the last written by Shelley on a flyleaf of a copy
of "Adonais". ]
1.
Swifter far than summer's flight--
Swifter far than youth's delight--
Swifter far than happy night,
Art thou come and gone--
As the earth when leaves are dead, _5
As the night when sleep is sped,
As the heart when joy is fled,
I am left lone, alone.
2.
The swallow summer comes again--
The owlet night resumes her reign-- _10
But the wild-swan youth is fain
To fly with thee, false as thou. --
My heart each day desires the morrow;
Sleep itself is turned to sorrow;
Vainly would my winter borrow _15
Sunny leaves from any bough.
3.
Lilies for a bridal bed--
Roses for a matron's head--
Violets for a maiden dead--
Pansies let MY flowers be: _20
On the living grave I bear
Scatter them without a tear--
Let no friend, however dear,
Waste one hope, one fear for me.
NOTES:
_5-_7 So editions 1824, 1839, Trelawny manuscript, Harvard manuscript;
As the wood when leaves are shed,
As the night when sleep is fled,
As the heart when joy is dead Houghton manuscript.
_13 So editions 1824, 1839, Harvard manuscript, Houghton manuscript.
My heart to-day desires to-morrow Trelawny manuscript.
_20 So editions 1824, 1839, Harvard manuscript, Houghton manuscript.
Sadder flowers find for me Trelawny manuscript.
_24 one hope, one fear]a hope, a fear Trelawny manuscript.
***
TO EDWARD WILLIAMS.
[Published in Ascham's edition of the "Poems", 1834.
There is a copy amongst the Trelawny manuscripts. ]
1.
The serpent is shut out from Paradise.
The wounded deer must seek the herb no more
In which its heart-cure lies:
The widowed dove must cease to haunt a bower
Like that from which its mate with feigned sighs _5
Fled in the April hour.
I too must seldom seek again
Near happy friends a mitigated pain.
2.
Of hatred I am proud,--with scorn content;
Indifference, that once hurt me, now is grown _10
Itself indifferent;
But, not to speak of love, pity alone
Can break a spirit already more than bent.
The miserable one
Turns the mind's poison into food,-- _15
Its medicine is tears,--its evil good.
3.
Therefore, if now I see you seldomer,
Dear friends, dear FRIEND! know that I only fly
Your looks, because they stir
Griefs that should sleep, and hopes that cannot die: _20
The very comfort that they minister
I scarce can bear, yet I,
So deeply is the arrow gone,
Should quickly perish if it were withdrawn.
4.
When I return to my cold home, you ask _25
Why I am not as I have ever been.
YOU spoil me for the task
Of acting a forced part in life's dull scene,--
Of wearing on my brow the idle mask
Of author, great or mean, _30
In the world's carnival. I sought
Peace thus, and but in you I found it not.
5.
Full half an hour, to-day, I tried my lot
With various flowers, and every one still said,
'She loves me--loves me not. ' _35
And if this meant a vision long since fled--
If it meant fortune, fame, or peace of thought--
If it meant,--but I dread
To speak what you may know too well:
Still there was truth in the sad oracle. _40
6.
The crane o'er seas and forests seeks her home;
No bird so wild but has its quiet nest,
When it no more would roam;
The sleepless billows on the ocean's breast
Break like a bursting heart, and die in foam, _45
And thus at length find rest:
Doubtless there is a place of peace
Where MY weak heart and all its throbs will cease.
7.
I asked her, yesterday, if she believed
That I had resolution. One who HAD _50
Would ne'er have thus relieved
His heart with words,--but what his judgement bade
Would do, and leave the scorner unrelieved.
These verses are too sad
To send to you, but that I know, _55
Happy yourself, you feel another's woe.
NOTES:
_10 Indifference, which once hurt me, is now grown Trelawny manuscript.
_18 Dear friends, dear friend Trelawny manuscript, 1839, 2nd edition;
Dear gentle friend 1834, 1839, 1st edition.
_26 ever]lately Trelawny manuscript.
_28 in Trelawny manuscript; on 1834, editions 1839,
_43 When 1839, 2nd edition; Whence 1834, 1839, 1st edition.
_48 will 1839, 2nd edition; shall 1834, 1839, 1st edition.
_53 unrelieved Trelawny manuscript, 1839, 2nd. edition;
unreprieved 1834, 1839, 1st edition.
_54 are]were Trelawny manuscript.
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
One word is too often profaned
For me to profane it,
One feeling too falsely disdained
For thee to disdain it;
One hope is too like despair _5
For prudence to smother,
And pity from thee more dear
Than that from another.
2.
I can give not what men call love,
But wilt thou accept not _10
The worship the heart lifts above
And the Heavens reject not,--
The desire of the moth for the star,
Of the night for the morrow,
The devotion to something afar _15
From the sphere of our sorrow?
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a Boscombe manuscript. ]
1.
When passion's trance is overpast,
If tenderness and truth could last,
Or live, whilst all wild feelings keep
Some mortal slumber, dark and deep,
I should not weep, I should not weep! _5
2.
It were enough to feel, to see,
Thy soft eyes gazing tenderly,
And dream the rest--and burn and be
The secret food of fires unseen,
Couldst thou but be as thou hast been, _10
3.
After the slumber of the year
The woodland violets reappear;
All things revive in field or grove,
And sky and sea, but two, which move
And form all others, life and love. _15
NOTE:
_15 form Boscombe manuscript; for editions 1824, 1839.
***
A BRIDAL SONG.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
The golden gates of Sleep unbar
Where Strength and Beauty, met together,
Kindle their image like a star
In a sea of glassy weather!
Night, with all thy stars look down,-- _5
Darkness, weep thy holiest dew,--
Never smiled the inconstant moon
On a pair so true.
Let eyes not see their own delight;--
Haste, swift Hour, and thy flight _10
Oft renew.
2.
Fairies, sprites, and angels, keep her!
Holy stars, permit no wrong!
And return to wake the sleeper,
Dawn,--ere it be long! _15
O joy! O fear! what will be done
In the absence of the sun!
Come along!
***
EPITHALAMIUM.
ANOTHER VERSION OF THE PRECEDING.
[Published by Medwin, "Life of Shelley", 1847. ]
Night, with all thine eyes look down!
Darkness shed its holiest dew!
When ever smiled the inconstant moon
On a pair so true?
Hence, coy hour! and quench thy light, _5
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.
BOYS:
O joy! O fear! what may be done
In the absence of the sun? _10
Come along!
The golden gates of sleep unbar!
When strength and beauty meet together,
Kindles their image like a star
In a sea of glassy weather. _15
Hence, coy hour! and quench thy light,
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.
GIRLS:
O joy! O fear! what may be done _20
In the absence of the sun?
Come along!
Fairies! sprites! and angels, keep her!
Holiest powers, permit no wrong!
And return, to wake the sleeper, _25
Dawn, ere it be long.
Hence, swift hour! and quench thy light,
Lest eyes see their own delight!
Hence, coy hour! and thy loved flight
Oft renew. _30
BOYS AND GIRLS:
O joy! O fear! what will be done
In the absence of the sun?
Come along!
NOTE:
_17 Lest]Let 1847.
***
ANOTHER VERSION OF THE SAME.
[Published by Rossetti, "Complete Poetical Works of P. B. S. ", 1870,
from the Trelawny manuscript of Edward Williams's play, "The Promise:
or, A Year, a Month, and a Day". ]
BOYS SING:
Night! with all thine eyes look down!
Darkness! weep thy holiest dew!
Never smiled the inconstant moon
On a pair so true.
Haste, coy hour! and quench all light, _5
Lest eyes see their own delight!
Haste, swift hour! and thy loved flight
Oft renew!
GIRLS SING:
Fairies, sprites, and angels, keep her!
Holy stars! permit no wrong! _10
And return, to wake the sleeper,
Dawn, ere it be long!
O joy! O fear! there is not one
Of us can guess what may be done
In the absence of the sun:-- _15
Come along!
BOYS:
Oh! linger long, thou envious eastern lamp
In the damp
Caves of the deep!
GIRLS:
Nay, return, Vesper! urge thy lazy car! _20
Swift unbar
The gates of Sleep!
CHORUS:
The golden gate of Sleep unbar,
When Strength and Beauty, met together,
Kindle their image, like a star _25
In a sea of glassy weather.
May the purple mist of love
Round them rise, and with them move,
Nourishing each tender gem
Which, like flowers, will burst from them. _30
As the fruit is to the tree
May their children ever be!
***
LOVE, HOPE, DESIRE, AND FEAR.
[Published by Dr. Garnett, "Relics of Shelley", 1862. 'A very free
translation of Brunetto Latini's "Tesoretto", lines 81-154. '--A. C.
Bradley. ]
. . .
And many there were hurt by that strong boy,
His name, they said, was Pleasure,
And near him stood, glorious beyond measure
Four Ladies who possess all empery
In earth and air and sea, _5
Nothing that lives from their award is free.
Their names will I declare to thee,
Love, Hope, Desire, and Fear,
And they the regents are
Of the four elements that frame the heart, _10
And each diversely exercised her art
By force or circumstance or sleight
To prove her dreadful might
Upon that poor domain.
Desire presented her [false] glass, and then _15
The spirit dwelling there
Was spellbound to embrace what seemed so fair
Within that magic mirror,
And dazed by that bright error,
It would have scorned the [shafts] of the avenger _20
And death, and penitence, and danger,
Had not then silent Fear
Touched with her palsying spear,
So that as if a frozen torrent
The blood was curdled in its current; _25
It dared not speak, even in look or motion,
But chained within itself its proud devotion.
Between Desire and Fear thou wert
A wretched thing, poor heart!
Sad was his life who bore thee in his breast, _30
Wild bird for that weak nest.
Till Love even from fierce Desire it bought,
And from the very wound of tender thought
Drew solace, and the pity of sweet eyes
Gave strength to bear those gentle agonies, _35
Surmount the loss, the terror, and the sorrow.
Then Hope approached, she who can borrow
For poor to-day, from rich tomorrow,
And Fear withdrew, as night when day
Descends upon the orient ray, _40
And after long and vain endurance
The poor heart woke to her assurance.
--At one birth these four were born
With the world's forgotten morn,
And from Pleasure still they hold _45
All it circles, as of old.
When, as summer lures the swallow,
Pleasure lures the heart to follow--
O weak heart of little wit!
The fair hand that wounded it, _50
Seeking, like a panting hare,
Refuge in the lynx's lair,
Love, Desire, Hope, and Fear,
Ever will be near.
***
FRAGMENTS WRITTEN FOR HELLAS.
[Published by Dr. Garnett, "Relics of Shelley", 1862. ]
1.
Fairest of the Destinies,
Disarray thy dazzling eyes:
Keener far thy lightnings are
Than the winged [bolts] thou bearest,
And the smile thou wearest _5
Wraps thee as a star
Is wrapped in light.
2.
Could Arethuse to her forsaken urn
From Alpheus and the bitter Doris run,
Or could the morning shafts of purest light _10
Again into the quivers of the Sun
Be gathered--could one thought from its wild flight
Return into the temple of the brain
Without a change, without a stain,--
Could aught that is, ever again _15
Be what it once has ceased to be,
Greece might again be free!
3.
A star has fallen upon the earth
Mid the benighted nations,
A quenchless atom of immortal light, _20
A living spark of Night,
A cresset shaken from the constellations.
Swifter than the thunder fell
To the heart of Earth, the well
Where its pulses flow and beat, _25
And unextinct in that cold source
Burns, and on . . . course
Guides the sphere which is its prison,
Like an angelic spirit pent
In a form of mortal birth, _30
Till, as a spirit half-arisen
Shatters its charnel, it has rent,
In the rapture of its mirth,
The thin and painted garment of the Earth,
Ruining its chaos--a fierce breath _35
Consuming all its forms of living death.
***
FRAGMENT: 'I WOULD NOT BE A KING'.
[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]
I would not be a king--enough
Of woe it is to love;
The path to power is steep and rough,
And tempests reign above.
I would not climb the imperial throne; _5
'Tis built on ice which fortune's sun
Thaws in the height of noon.
Then farewell, king, yet were I one,
Care would not come so soon.
Would he and I were far away _10
Keeping flocks on Himalay!
***
GINEVRA.
[Published by Mrs. Shelley, "Posthumous Poems", 1824,
and dated 'Pisa, 1821. ']
Wild, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain _5
Of usual shapes, till the familiar train
Of objects and of persons passed like things
Strange as a dreamer's mad imaginings,
Ginevra from the nuptial altar went;
The vows to which her lips had sworn assent _10
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.
And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth, _15
And darkened her dark locks, as moonlight doth,--
And of the gold and jewels glittering there
She scarce felt conscious,--but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight, _20
A moonbeam in the shadow of a cloud
Was less heavenly fair--her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street; _25
And ever as she went her light fair feet
Erased these images.
The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,
Envying the unenviable; and others
Making the joy which should have been another's _30
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents' smiles for life's great cheat; a thing _35
Bitter to taste, sweet in imagining.
But they are all dispersed--and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own; _40
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;--
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems _45
A mockery of itself--when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,
And said--'Is this thy faith? ' and then as one _50
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes
Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore _55
To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said--'Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will
Of parents, chance or custom, time or change, _60
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom can impeach
Our love,--we love not:--if the grave which hides
The victim from the tyrant, and divides _65
The cheek that whitens from the eyes that dart
Imperious inquisition to the heart
That is another's, could dissever ours,
We love not. '--'What! do not the silent hours
Beckon thee to Gherardi's bridal bed? _70
Is not that ring'--a pledge, he would have said,
Of broken vows, but she with patient look
The golden circle from her finger took,
And said--'Accept this token of my faith,
The pledge of vows to be absolved by death; _75
And I am dead or shall be soon--my knell
Will mix its music with that merry bell,
Does it not sound as if they sweetly said
"We toll a corpse out of the marriage-bed"?
The flowers upon my bridal chamber strewn _80
Will serve unfaded for my bier--so soon
That even the dying violet will not die
Before Ginevra. ' The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek, _85
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought
Which, like a prophet or a shadow, brought
News of the terrors of the coming time. _90
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayer--he then with vain repentance
Would share, he cannot now avert, the sentence-- _95
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,--and her maidens soon _100
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet rest:--like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day. _105
Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes, _110
Kindling a momentary Paradise.
This crowd is safer than the silent wood,
Where love's own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine _115
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:--
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit _120
Of looks and words which ne'er enchanted yet;
But life's familiar veil was now withdrawn,
As the world leaps before an earthquake's dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers _125
Scatter their hoarded incense, and awaken
The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all _130
Treasured i' the instant;--so Gherardi's hall
Laughed in the mirth of its lord's festival,
Till some one asked--'Where is the Bride? ' And then
A bridesmaid went,--and ere she came again
A silence fell upon the guests--a pause _135
Of expectation, as when beauty awes
All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;--
For whispers passed from mouth to ear which drew
The colour from the hearer's cheeks, and flew _140
Louder and swifter round the company;
And then Gherardi entered with an eye
Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.
They found Ginevra dead! if it be death _145
To lie without motion, or pulse, or breath,
With waxen cheeks, and limbs cold, stiff, and white,
And open eyes, whose fixed and glassy light
Mocked at the speculation they had owned.
If it be death, when there is felt around _150
A smell of clay, a pale and icy glare,
And silence, and a sense that lifts the hair
From the scalp to the ankles, as it were
Corruption from the spirit passing forth,
And giving all it shrouded to the earth, _155
And leaving as swift lightning in its flight
Ashes, and smoke, and darkness: in our night
Of thought we know thus much of death,--no more
Than the unborn dream of our life before
Their barks are wrecked on its inhospitable shore. _160
The marriage feast and its solemnity
Was turned to funeral pomp--the company,
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise _165
Loosened the springs of pity in all eyes,
On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which, half extinguished in their haste,
Gleamed few and faint o'er the abandoned feast, _170
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of men's minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,--and he, _175
A loveless man, accepted torpidly
The consolation that he wanted not;
Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still--some wept,. . . _180
Some melted into tears without a sob,
And some with hearts that might be heard to throb
Leaned on the table and at intervals
Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came _185
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;--
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled _190
The bell of death, and soon the priests arrived,
And finding Death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came. -- _195
. . .
THE DIRGE.
Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore
Where the sea of sunlight encroaches _200
On the limits of wintry night;--
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra! _205
She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel--and one, oh where? _210
The dark arrow fled
In the noon.
Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest, _215
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.
NOTES:
22 Was]Were cj. Rossetti. old
26 ever 1824; even editions 1839.
_37 Bitter editions 1839; Better 1824.
_63 wanting in 1824.
_103 quiet rest cj. A. C. Bradley; quiet and rest 1824.
_129 winds]lands cj.
"Examination", etc. , 1903, page 13. ]
1.
My faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb whose hoofs outspeed the tempest's flight _5
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.
2.
Ah! fleeter far than fleetest storm or steed
Or the death they bear, _10
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love, _15
It may bring to thee.
NOTES:
_3 hoofs]feet B.
_7 were]grew B.
_9 Ah! ]O B.
***
TO EMILIA VIVIANI.
[Published, (1) by Mrs. Shelley, "Posthumous Poems", 1824; (2, 1) by
Dr. Garnett, "Relics of Shelley", 1862; (2, 2 and 3) by H. Buxton
Forman, "Poetical Works of P. B. S. ", 1876. ]
1.
Madonna, wherefore hast thou sent to me
Sweet-basil and mignonette?
Embleming love and health, which never yet
In the same wreath might be.
Alas, and they are wet! _5
Is it with thy kisses or thy tears?
For never rain or dew
Such fragrance drew
From plant or flower--the very doubt endears
My sadness ever new, _10
The sighs I breathe, the tears I shed for thee.
2.
Send the stars light, but send not love to me,
In whom love ever made
Health like a heap of embers soon to fade--
***
THE FUGITIVES.
[Published by Mrs. Shelley, "Posthumous Poems". 1824. ]
1.
The waters are flashing,
The white hail is dashing,
The lightnings are glancing,
The hoar-spray is dancing--
Away! _5
The whirlwind is rolling,
The thunder is tolling,
The forest is swinging,
The minster bells ringing--
Come away! _10
The Earth is like Ocean,
Wreck-strewn and in motion:
Bird, beast, man and worm
Have crept out of the storm--
Come away! _15
2.
'Our boat has one sail
And the helmsman is pale;--
A bold pilot I trow,
Who should follow us now,'--
Shouted he-- _20
And she cried: 'Ply the oar!
Put off gaily from shore! '--
As she spoke, bolts of death
Mixed with hail, specked their path
O'er the sea. _25
And from isle, tower and rock,
The blue beacon-cloud broke,
And though dumb in the blast,
The red cannon flashed fast
From the lee. _30
3.
And 'Fear'st thou? ' and 'Fear'st thou? '
And Seest thou? ' and 'Hear'st thou? '
And 'Drive we not free
O'er the terrible sea,
I and thou? ' _35
One boat-cloak did cover
The loved and the lover--
Their blood beats one measure,
They murmur proud pleasure
Soft and low;-- _40
While around the lashed Ocean,
Like mountains in motion,
Is withdrawn and uplifted,
Sunk, shattered and shifted
To and fro. _45
4.
In the court of the fortress
Beside the pale portress,
Like a bloodhound well beaten
The bridegroom stands, eaten
By shame; _50
On the topmost watch-turret,
As a death-boding spirit
Stands the gray tyrant father,
To his voice the mad weather
Seems tame; _55
And with curses as wild
As e'er clung to child,
He devotes to the blast,
The best, loveliest and last
Of his name! _60
NOTES:
_28 And though]Though editions 1839.
_57 clung]cling editions 1839.
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
Music, when soft voices die,
Vibrates in the memory--
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead, _5
Are heaped for the beloved's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
***
SONG.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a transcript in the Harvard manuscript book. ]
1.
Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day _5
'Tis since thou art fled away.
2.
How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain. _10
Spirit false! thou hast forgot
All but those who need thee not.
3.
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed; _15
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
4.
Let me set my mournful ditty
To a merry measure; _20
Thou wilt never come for pity,
Thou wilt come for pleasure;
Pity then will cut away
Those cruel wings, and thou wilt stay.
5.
I love all that thou lovest, _25
Spirit of Delight!
The fresh Earth in new leaves dressed,
And the starry night;
Autumn evening, and the morn
When the golden mists are born. _30
6.
I love snow, and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be _35
Untainted by man's misery.
7.
I love tranquil solitude,
And such society
As is quiet, wise, and good
Between thee and me _40
What difference? but thou dost possess
The things I seek, not love them less.
8.
I love Love--though he has wings,
And like light can flee,
But above all other things, _45
Spirit, I love thee--
Thou art love and life! Oh, come,
Make once more my heart thy home.
***
MUTABILITY.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a fair draft amongst the Boscombe manuscripts. ]
1.
The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world's delight? _5
Lightning that mocks the night,
Brief even as bright.
2.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss _10
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.
3.
Whilst skies are blue and bright, _15
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou--and from thy sleep _20
Then wake to weep.
NOTES:
_9 how Boscombe manuscript; too editions 1824, 1839.
_12 though soon they fall]though soon we or so soon they cj. Rossetti.
***
LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON.
[Published with "Hellas", 1821. ]
What! alive and so bold, O Earth?
Art thou not overbold?
What! leapest thou forth as of old
In the light of thy morning mirth,
The last of the flock of the starry fold? _5
Ha! leapest thou forth as of old?
Are not the limbs still when the ghost is fled,
And canst thou move, Napoleon being dead?
How! is not thy quick heart cold?
What spark is alive on thy hearth? _10
How! is not HIS death-knell knolled?
And livest THOU still, Mother Earth?
Thou wert warming thy fingers old
O'er the embers covered and cold
Of that most fiery spirit, when it fled-- _15
What, Mother, do you laugh now he is dead?
'Who has known me of old,' replied Earth,
'Or who has my story told?
It is thou who art overbold. '
And the lightning of scorn laughed forth _20
As she sung, 'To my bosom I fold
All my sons when their knell is knolled,
And so with living motion all are fed,
And the quick spring like weeds out of the dead.
'Still alive and still bold,' shouted Earth, _25
'I grow bolder and still more bold.
The dead fill me ten thousandfold
Fuller of speed, and splendour, and mirth.
I was cloudy, and sullen, and cold,
Like a frozen chaos uprolled, _30
Till by the spirit of the mighty dead
My heart grew warm. I feed on whom I fed.
'Ay, alive and still bold. ' muttered Earth,
'Napoleon's fierce spirit rolled,
In terror and blood and gold, _35
A torrent of ruin to death from his birth.
Leave the millions who follow to mould
The metal before it be cold;
And weave into his shame, which like the dead
Shrouds me, the hopes that from his glory fled. ' _40
***
SONNET: POLITICAL GREATNESS.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. There is a
transcript, headed "Sonnet to the Republic of Benevento", in the
Harvard manuscript book. ]
Nor happiness, nor majesty, nor fame,
Nor peace, nor strength, nor skill in arms or arts,
Shepherd those herds whom tyranny makes tame;
Verse echoes not one beating of their hearts,
History is but the shadow of their shame, _5
Art veils her glass, or from the pageant starts
As to oblivion their blind millions fleet,
Staining that Heaven with obscene imagery
Of their own likeness. What are numbers knit
By force or custom? Man who man would be, _10
Must rule the empire of himself; in it
Must be supreme, establishing his throne
On vanquished will, quelling the anarchy
Of hopes and fears, being himself alone.
***
THE AZIOLA.
[Published by Mrs. Shelley in "The Keepsake", 1829. ]
1.
'Do you not hear the Aziola cry?
Methinks she must be nigh,'
Said Mary, as we sate
In dusk, ere stars were lit, or candles brought;
And I, who thought _5
This Aziola was some tedious woman,
Asked, 'Who is Aziola? ' How elate
I felt to know that it was nothing human,
No mockery of myself to fear or hate:
And Mary saw my soul, _10
And laughed, and said, 'Disquiet yourself not;
'Tis nothing but a little downy owl. '
2.
Sad Aziola! many an eventide
Thy music I had heard
By wood and stream, meadow and mountain-side, _15
And fields and marshes wide,--
Such as nor voice, nor lute, nor wind, nor bird,
The soul ever stirred;
Unlike and far sweeter than them all.
Sad Aziola! from that moment I _20
Loved thee and thy sad cry.
NOTES:
_4 ere stars]ere the stars editions 1839.
_9 or]and editions 1839.
_19 them]they editions 1839.
***
A LAMENT.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
O world! O life! O time!
On whose last steps I climb,
Trembling at that where I had stood before;
When will return the glory of your prime?
No more--Oh, never more! _5
2.
Out of the day and night
A joy has taken flight;
Fresh spring, and summer, and winter hoar,
Move my faint heart with grief, but with delight
No more--Oh, never more! _10
***
REMEMBRANCE.
[Published by Mrs. Shelley, "Posthumous Poems", 1824, where it is
entitled "A Lament". Three manuscript copies are extant: The Trelawny
manuscript ("Remembrance"), the Harvard manuscript ("Song") and the
Houghton manuscript--the last written by Shelley on a flyleaf of a copy
of "Adonais". ]
1.
Swifter far than summer's flight--
Swifter far than youth's delight--
Swifter far than happy night,
Art thou come and gone--
As the earth when leaves are dead, _5
As the night when sleep is sped,
As the heart when joy is fled,
I am left lone, alone.
2.
The swallow summer comes again--
The owlet night resumes her reign-- _10
But the wild-swan youth is fain
To fly with thee, false as thou. --
My heart each day desires the morrow;
Sleep itself is turned to sorrow;
Vainly would my winter borrow _15
Sunny leaves from any bough.
3.
Lilies for a bridal bed--
Roses for a matron's head--
Violets for a maiden dead--
Pansies let MY flowers be: _20
On the living grave I bear
Scatter them without a tear--
Let no friend, however dear,
Waste one hope, one fear for me.
NOTES:
_5-_7 So editions 1824, 1839, Trelawny manuscript, Harvard manuscript;
As the wood when leaves are shed,
As the night when sleep is fled,
As the heart when joy is dead Houghton manuscript.
_13 So editions 1824, 1839, Harvard manuscript, Houghton manuscript.
My heart to-day desires to-morrow Trelawny manuscript.
_20 So editions 1824, 1839, Harvard manuscript, Houghton manuscript.
Sadder flowers find for me Trelawny manuscript.
_24 one hope, one fear]a hope, a fear Trelawny manuscript.
***
TO EDWARD WILLIAMS.
[Published in Ascham's edition of the "Poems", 1834.
There is a copy amongst the Trelawny manuscripts. ]
1.
The serpent is shut out from Paradise.
The wounded deer must seek the herb no more
In which its heart-cure lies:
The widowed dove must cease to haunt a bower
Like that from which its mate with feigned sighs _5
Fled in the April hour.
I too must seldom seek again
Near happy friends a mitigated pain.
2.
Of hatred I am proud,--with scorn content;
Indifference, that once hurt me, now is grown _10
Itself indifferent;
But, not to speak of love, pity alone
Can break a spirit already more than bent.
The miserable one
Turns the mind's poison into food,-- _15
Its medicine is tears,--its evil good.
3.
Therefore, if now I see you seldomer,
Dear friends, dear FRIEND! know that I only fly
Your looks, because they stir
Griefs that should sleep, and hopes that cannot die: _20
The very comfort that they minister
I scarce can bear, yet I,
So deeply is the arrow gone,
Should quickly perish if it were withdrawn.
4.
When I return to my cold home, you ask _25
Why I am not as I have ever been.
YOU spoil me for the task
Of acting a forced part in life's dull scene,--
Of wearing on my brow the idle mask
Of author, great or mean, _30
In the world's carnival. I sought
Peace thus, and but in you I found it not.
5.
Full half an hour, to-day, I tried my lot
With various flowers, and every one still said,
'She loves me--loves me not. ' _35
And if this meant a vision long since fled--
If it meant fortune, fame, or peace of thought--
If it meant,--but I dread
To speak what you may know too well:
Still there was truth in the sad oracle. _40
6.
The crane o'er seas and forests seeks her home;
No bird so wild but has its quiet nest,
When it no more would roam;
The sleepless billows on the ocean's breast
Break like a bursting heart, and die in foam, _45
And thus at length find rest:
Doubtless there is a place of peace
Where MY weak heart and all its throbs will cease.
7.
I asked her, yesterday, if she believed
That I had resolution. One who HAD _50
Would ne'er have thus relieved
His heart with words,--but what his judgement bade
Would do, and leave the scorner unrelieved.
These verses are too sad
To send to you, but that I know, _55
Happy yourself, you feel another's woe.
NOTES:
_10 Indifference, which once hurt me, is now grown Trelawny manuscript.
_18 Dear friends, dear friend Trelawny manuscript, 1839, 2nd edition;
Dear gentle friend 1834, 1839, 1st edition.
_26 ever]lately Trelawny manuscript.
_28 in Trelawny manuscript; on 1834, editions 1839,
_43 When 1839, 2nd edition; Whence 1834, 1839, 1st edition.
_48 will 1839, 2nd edition; shall 1834, 1839, 1st edition.
_53 unrelieved Trelawny manuscript, 1839, 2nd. edition;
unreprieved 1834, 1839, 1st edition.
_54 are]were Trelawny manuscript.
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
One word is too often profaned
For me to profane it,
One feeling too falsely disdained
For thee to disdain it;
One hope is too like despair _5
For prudence to smother,
And pity from thee more dear
Than that from another.
2.
I can give not what men call love,
But wilt thou accept not _10
The worship the heart lifts above
And the Heavens reject not,--
The desire of the moth for the star,
Of the night for the morrow,
The devotion to something afar _15
From the sphere of our sorrow?
***
TO --.
[Published by Mrs. Shelley, "Posthumous Poems", 1824.
There is a Boscombe manuscript. ]
1.
When passion's trance is overpast,
If tenderness and truth could last,
Or live, whilst all wild feelings keep
Some mortal slumber, dark and deep,
I should not weep, I should not weep! _5
2.
It were enough to feel, to see,
Thy soft eyes gazing tenderly,
And dream the rest--and burn and be
The secret food of fires unseen,
Couldst thou but be as thou hast been, _10
3.
After the slumber of the year
The woodland violets reappear;
All things revive in field or grove,
And sky and sea, but two, which move
And form all others, life and love. _15
NOTE:
_15 form Boscombe manuscript; for editions 1824, 1839.
***
A BRIDAL SONG.
[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]
1.
The golden gates of Sleep unbar
Where Strength and Beauty, met together,
Kindle their image like a star
In a sea of glassy weather!
Night, with all thy stars look down,-- _5
Darkness, weep thy holiest dew,--
Never smiled the inconstant moon
On a pair so true.
Let eyes not see their own delight;--
Haste, swift Hour, and thy flight _10
Oft renew.
2.
Fairies, sprites, and angels, keep her!
Holy stars, permit no wrong!
And return to wake the sleeper,
Dawn,--ere it be long! _15
O joy! O fear! what will be done
In the absence of the sun!
Come along!
***
EPITHALAMIUM.
ANOTHER VERSION OF THE PRECEDING.
[Published by Medwin, "Life of Shelley", 1847. ]
Night, with all thine eyes look down!
Darkness shed its holiest dew!
When ever smiled the inconstant moon
On a pair so true?
Hence, coy hour! and quench thy light, _5
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.
BOYS:
O joy! O fear! what may be done
In the absence of the sun? _10
Come along!
The golden gates of sleep unbar!
When strength and beauty meet together,
Kindles their image like a star
In a sea of glassy weather. _15
Hence, coy hour! and quench thy light,
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.
GIRLS:
O joy! O fear! what may be done _20
In the absence of the sun?
Come along!
Fairies! sprites! and angels, keep her!
Holiest powers, permit no wrong!
And return, to wake the sleeper, _25
Dawn, ere it be long.
Hence, swift hour! and quench thy light,
Lest eyes see their own delight!
Hence, coy hour! and thy loved flight
Oft renew. _30
BOYS AND GIRLS:
O joy! O fear! what will be done
In the absence of the sun?
Come along!
NOTE:
_17 Lest]Let 1847.
***
ANOTHER VERSION OF THE SAME.
[Published by Rossetti, "Complete Poetical Works of P. B. S. ", 1870,
from the Trelawny manuscript of Edward Williams's play, "The Promise:
or, A Year, a Month, and a Day". ]
BOYS SING:
Night! with all thine eyes look down!
Darkness! weep thy holiest dew!
Never smiled the inconstant moon
On a pair so true.
Haste, coy hour! and quench all light, _5
Lest eyes see their own delight!
Haste, swift hour! and thy loved flight
Oft renew!
GIRLS SING:
Fairies, sprites, and angels, keep her!
Holy stars! permit no wrong! _10
And return, to wake the sleeper,
Dawn, ere it be long!
O joy! O fear! there is not one
Of us can guess what may be done
In the absence of the sun:-- _15
Come along!
BOYS:
Oh! linger long, thou envious eastern lamp
In the damp
Caves of the deep!
GIRLS:
Nay, return, Vesper! urge thy lazy car! _20
Swift unbar
The gates of Sleep!
CHORUS:
The golden gate of Sleep unbar,
When Strength and Beauty, met together,
Kindle their image, like a star _25
In a sea of glassy weather.
May the purple mist of love
Round them rise, and with them move,
Nourishing each tender gem
Which, like flowers, will burst from them. _30
As the fruit is to the tree
May their children ever be!
***
LOVE, HOPE, DESIRE, AND FEAR.
[Published by Dr. Garnett, "Relics of Shelley", 1862. 'A very free
translation of Brunetto Latini's "Tesoretto", lines 81-154. '--A. C.
Bradley. ]
. . .
And many there were hurt by that strong boy,
His name, they said, was Pleasure,
And near him stood, glorious beyond measure
Four Ladies who possess all empery
In earth and air and sea, _5
Nothing that lives from their award is free.
Their names will I declare to thee,
Love, Hope, Desire, and Fear,
And they the regents are
Of the four elements that frame the heart, _10
And each diversely exercised her art
By force or circumstance or sleight
To prove her dreadful might
Upon that poor domain.
Desire presented her [false] glass, and then _15
The spirit dwelling there
Was spellbound to embrace what seemed so fair
Within that magic mirror,
And dazed by that bright error,
It would have scorned the [shafts] of the avenger _20
And death, and penitence, and danger,
Had not then silent Fear
Touched with her palsying spear,
So that as if a frozen torrent
The blood was curdled in its current; _25
It dared not speak, even in look or motion,
But chained within itself its proud devotion.
Between Desire and Fear thou wert
A wretched thing, poor heart!
Sad was his life who bore thee in his breast, _30
Wild bird for that weak nest.
Till Love even from fierce Desire it bought,
And from the very wound of tender thought
Drew solace, and the pity of sweet eyes
Gave strength to bear those gentle agonies, _35
Surmount the loss, the terror, and the sorrow.
Then Hope approached, she who can borrow
For poor to-day, from rich tomorrow,
And Fear withdrew, as night when day
Descends upon the orient ray, _40
And after long and vain endurance
The poor heart woke to her assurance.
--At one birth these four were born
With the world's forgotten morn,
And from Pleasure still they hold _45
All it circles, as of old.
When, as summer lures the swallow,
Pleasure lures the heart to follow--
O weak heart of little wit!
The fair hand that wounded it, _50
Seeking, like a panting hare,
Refuge in the lynx's lair,
Love, Desire, Hope, and Fear,
Ever will be near.
***
FRAGMENTS WRITTEN FOR HELLAS.
[Published by Dr. Garnett, "Relics of Shelley", 1862. ]
1.
Fairest of the Destinies,
Disarray thy dazzling eyes:
Keener far thy lightnings are
Than the winged [bolts] thou bearest,
And the smile thou wearest _5
Wraps thee as a star
Is wrapped in light.
2.
Could Arethuse to her forsaken urn
From Alpheus and the bitter Doris run,
Or could the morning shafts of purest light _10
Again into the quivers of the Sun
Be gathered--could one thought from its wild flight
Return into the temple of the brain
Without a change, without a stain,--
Could aught that is, ever again _15
Be what it once has ceased to be,
Greece might again be free!
3.
A star has fallen upon the earth
Mid the benighted nations,
A quenchless atom of immortal light, _20
A living spark of Night,
A cresset shaken from the constellations.
Swifter than the thunder fell
To the heart of Earth, the well
Where its pulses flow and beat, _25
And unextinct in that cold source
Burns, and on . . . course
Guides the sphere which is its prison,
Like an angelic spirit pent
In a form of mortal birth, _30
Till, as a spirit half-arisen
Shatters its charnel, it has rent,
In the rapture of its mirth,
The thin and painted garment of the Earth,
Ruining its chaos--a fierce breath _35
Consuming all its forms of living death.
***
FRAGMENT: 'I WOULD NOT BE A KING'.
[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]
I would not be a king--enough
Of woe it is to love;
The path to power is steep and rough,
And tempests reign above.
I would not climb the imperial throne; _5
'Tis built on ice which fortune's sun
Thaws in the height of noon.
Then farewell, king, yet were I one,
Care would not come so soon.
Would he and I were far away _10
Keeping flocks on Himalay!
***
GINEVRA.
[Published by Mrs. Shelley, "Posthumous Poems", 1824,
and dated 'Pisa, 1821. ']
Wild, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain _5
Of usual shapes, till the familiar train
Of objects and of persons passed like things
Strange as a dreamer's mad imaginings,
Ginevra from the nuptial altar went;
The vows to which her lips had sworn assent _10
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.
And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth, _15
And darkened her dark locks, as moonlight doth,--
And of the gold and jewels glittering there
She scarce felt conscious,--but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight, _20
A moonbeam in the shadow of a cloud
Was less heavenly fair--her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street; _25
And ever as she went her light fair feet
Erased these images.
The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,
Envying the unenviable; and others
Making the joy which should have been another's _30
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents' smiles for life's great cheat; a thing _35
Bitter to taste, sweet in imagining.
But they are all dispersed--and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own; _40
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;--
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems _45
A mockery of itself--when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,
And said--'Is this thy faith? ' and then as one _50
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes
Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore _55
To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said--'Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will
Of parents, chance or custom, time or change, _60
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom can impeach
Our love,--we love not:--if the grave which hides
The victim from the tyrant, and divides _65
The cheek that whitens from the eyes that dart
Imperious inquisition to the heart
That is another's, could dissever ours,
We love not. '--'What! do not the silent hours
Beckon thee to Gherardi's bridal bed? _70
Is not that ring'--a pledge, he would have said,
Of broken vows, but she with patient look
The golden circle from her finger took,
And said--'Accept this token of my faith,
The pledge of vows to be absolved by death; _75
And I am dead or shall be soon--my knell
Will mix its music with that merry bell,
Does it not sound as if they sweetly said
"We toll a corpse out of the marriage-bed"?
The flowers upon my bridal chamber strewn _80
Will serve unfaded for my bier--so soon
That even the dying violet will not die
Before Ginevra. ' The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek, _85
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought
Which, like a prophet or a shadow, brought
News of the terrors of the coming time. _90
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayer--he then with vain repentance
Would share, he cannot now avert, the sentence-- _95
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,--and her maidens soon _100
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet rest:--like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day. _105
Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes, _110
Kindling a momentary Paradise.
This crowd is safer than the silent wood,
Where love's own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine _115
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:--
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit _120
Of looks and words which ne'er enchanted yet;
But life's familiar veil was now withdrawn,
As the world leaps before an earthquake's dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers _125
Scatter their hoarded incense, and awaken
The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all _130
Treasured i' the instant;--so Gherardi's hall
Laughed in the mirth of its lord's festival,
Till some one asked--'Where is the Bride? ' And then
A bridesmaid went,--and ere she came again
A silence fell upon the guests--a pause _135
Of expectation, as when beauty awes
All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;--
For whispers passed from mouth to ear which drew
The colour from the hearer's cheeks, and flew _140
Louder and swifter round the company;
And then Gherardi entered with an eye
Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.
They found Ginevra dead! if it be death _145
To lie without motion, or pulse, or breath,
With waxen cheeks, and limbs cold, stiff, and white,
And open eyes, whose fixed and glassy light
Mocked at the speculation they had owned.
If it be death, when there is felt around _150
A smell of clay, a pale and icy glare,
And silence, and a sense that lifts the hair
From the scalp to the ankles, as it were
Corruption from the spirit passing forth,
And giving all it shrouded to the earth, _155
And leaving as swift lightning in its flight
Ashes, and smoke, and darkness: in our night
Of thought we know thus much of death,--no more
Than the unborn dream of our life before
Their barks are wrecked on its inhospitable shore. _160
The marriage feast and its solemnity
Was turned to funeral pomp--the company,
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise _165
Loosened the springs of pity in all eyes,
On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which, half extinguished in their haste,
Gleamed few and faint o'er the abandoned feast, _170
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of men's minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,--and he, _175
A loveless man, accepted torpidly
The consolation that he wanted not;
Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still--some wept,. . . _180
Some melted into tears without a sob,
And some with hearts that might be heard to throb
Leaned on the table and at intervals
Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came _185
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;--
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled _190
The bell of death, and soon the priests arrived,
And finding Death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came. -- _195
. . .
THE DIRGE.
Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore
Where the sea of sunlight encroaches _200
On the limits of wintry night;--
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra! _205
She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel--and one, oh where? _210
The dark arrow fled
In the noon.
Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest, _215
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.
NOTES:
22 Was]Were cj. Rossetti. old
26 ever 1824; even editions 1839.
_37 Bitter editions 1839; Better 1824.
_63 wanting in 1824.
_103 quiet rest cj. A. C. Bradley; quiet and rest 1824.
_129 winds]lands cj.
