Bonfand, Alain,
Christophe
Duvivier, Edda Maillet, Jerome Serri, and Guy Tosatto.
Samuel Beckett
Peron.
Soutes 9 (1938) 41.
Alles kommt auf so viel an: Das Hamburg-Kapitel aus den "German Diaries" 2.
Oktober-4. Dezember 1936. Transcribed by Erika Tophoven. Schenefeld:
Raamin-Press, 2003.
"Assumption. " transition 16-17 Uune 1929) 268-271.
"Beckett's Letters on 'Endgame': Extracts from His Correspondence with
Director Alan Schneider. " The Village Voice 19 March 1958: 8, 15. 720
Bibliography ofworks cited
"Cascando. " Dublin Magazine 11. 4 (October-December 1936) 3-4.
"Dante . . . Bruno. Vico . . Joyce. " Our Exagmination Round His Factification for
Incamination of Work in Progress. Paris: Shakespeare and Company,
1929. 1-22.
"Dante . . . Bruno. Vico . . Joyce. " transition 16-17 Uune 1929) 242-253. "Dante and the Lobster. " This Quarter 5. 2 (December 1932) 222-236. "Denis Devlin. " Rev. ofintercessions, by Denis Devlin. transition 27
(April-May 1938) 289-294.
Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn.
New York: Grove Press, 1984.
"Dortmunder. " transition 24 Uune 1936) 10.
Dream ofFair to Middling Women. Ed. Eoin O'Brien and Edith Fournier.
London: Calder, 1992. Rpt. New York: Arcade Publishing in association
with Riverrun Press, 1993.
Drunken Boat. Ed. James Knowlson and Felix Leakey. Reading: Whiteknights
Press, 1976.
Echo's Bones and Other Precipitates. Europa Poets 3. Paris: Europa Press, 1935. "Enueg 2. " transition 24 Uune 1936) 9.
First Love and Other Shorts. New York: Grove Press, 1974.
"From the Only Poet to a Shining Whore: for Henry Crowder to Sing. "
Henry-Music. Paris: Hours Press, 1930. [6, 12-14. J
"Geer van Velde. " London Bulletin 2 (May 1938) 15.
"German Letter of 1937. " Disjecta: Miscellaneous Writings and a Dramatic
Fragment. Ed. Ruby Cohn. Tr. Martin Esslin. New York: Grove Press,
1984. German text, 51-54; English text, 170-173.
"Home Olga. " Contempo 3. 13 (February 1934) 3.
"AnImaginativeWork! " Rev. ofTheAmaranthers,byJackB. Yeats. Dublin
Magazine 11. 3 Uuly-September 1936) 80-81.
"In Memoriam: George Reavey. " Journal ofBeckett Studies 2 (Summer 1977). "Le Concentrisme. " Disjecta: Miscellaneous Writings and a Dramatic Fragment.
Ed. Ruby Cohn. New York: Grove Press, 1984. 35-42.
"Letters to Barney Rasset. " The Review ofContemporary Fiction 10. 3 (Fall 1990)
64-71.
"Malacoda. " transition 24 Uune 1936) 8.
More Pricks Than Kicks. London: Chatto and Windus, 1934.
More Pricks Than Kicks. New York: Grove Press, 1972.
Murphy. London: Routledge, 1938. Rpt. New York: Grove Press, 1957.
No Author Better Served: The Correspondence ofSamuel Beckett and Alan Schneider.
Ed. Maurice Harmon. Cambridge, MA: Harvard University Press, 1998. "Ooftish. " transition 27 (April-May 1938) 33.
"Poemes 38-39. " Les Temps Modernes 2. 14 (November 1946) 288-293.
721
Bibliography of works cited
Poemes, suivi de mirlitonnades. Paris: Les Editions de Minuit, 1978.
Poems 1930-1989. London: Calder Publications, 2002.
Premier Amour. Paris: Les Editions de Minuit, 1970.
Proust. The Dolphin Books. London: Chatto and Windus, 1931. Rpt. New
York: Grove Press, 1957.
"Return to the Vestry. " The New Review 1. 3 (August-September-October
1931) 98-99.
"Sedendo et Quiesciendo [for Quiescendo]. " transition 21 (March 1932) 13-20. "Three Dialogues with Georges Duthuit. " Disjecta: Miscellaneous Writings
and a Dramatic Fragment. Ed. Ruby Cohn. New York: Grove Press, 1984.
138-145.
Whoroscope. Paris: Hours Press, 1930.
[Beckett, Samuel. ] Andrew Belis, pseud. "Recent Irish Poetry. " The Bookman 86. 515 (August 1934) 235-236.
Beckett, Samuel, and Erich Franzen. "Correspondence on Translating MOLLOY. " Babel 3 (Spring 1984) 21-35.
Beckett, Samuel, and Barney Rosset. "The Godot Letters: A Lasting Effect" (Letters of Samuel Beckett and Barney Rosset). The New Theater Review [now Lincoln Center Theater Review] 12 (Spring 1995) 10-13.
Bell, J. Bowyer. "Waiting for Mario: The Espositos, Joyce, and Beckett. " Eire-Ireland 30. 2 (1995) 7-26.
Belmont, Georges. Souvenirs d'outre-monde: Histoire d'une naissance. Paris: Calmann-Ikvy, 2001.
Benezit, Emmanuel, ed. Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs de tous les temps et de taus les pays. 3rd edn. Paris: Grund, 1976.
Bentley, Edmund. Far Horizon: A Biography ofHester Dowden, Medium and Psychic Investigator. London: Rider and Company, 1951.
Bergson, Henri. Creative Evolution. Tr. Arthur Mitchell. London: Macmillan, 1920.
L'Evo! ution creatrice. Paris: Felix Alcan, 1907.
"Introduction a la metaphysique. " Revue de Metaphysique et de Morale 11
(1903) 1-36.
Berkeley, George. Berkeley's Commonplace Book. Ed. G. A. Johnston. London:
Faber and Faber, 1931.
Bessy, Maurice, and Jean-Louis Chardans. Dictionnaire du cinema et de la
television. Paris: Pauvert, 1967-1971. 4 vols.
Bidwell, Bruce, and Linda Heffer. TheJoycean Way. Baltimore: Johns Hopkins
University Press, 1981.
Biermann, Georg. Heinrich Campendonk. Junge Kunst. Leipzig: Verlag von
Klinkhardt und Biermann, 1921.
722
Bibliography ofworks dted
Bock, Henning, Irene Geismeier, Rainald Grosshans, et al. , eds. Gemiildegalerie Berlin: Gesamtverzeichnis. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1996.
Boetzkes, Ottilie G. Salvator Rosa: Seventeenth-Century Painter, Poet and Patriot. New York: Vantage Press, 1960.
Bonfand, Alain, Christophe Duvivier, Edda Maillet, Jerome Serri, and Guy Tosatto. Otto Freundlich. Rochechouart: Musee Departemental de Rochechouart, 1988.
The Book of Common Prayer . . . The Church of Ireland. Dublin: Association for Promoting Christian Knowledge, Church oflreland, 1927.
"Books and Authors. " Everyman 75 (3 July 1930) 728.
Boswell, James. Boswell's Life of]ohnson, Together with Boswell'sJournal ofa Tour to the
Hebrides andJohnson's Diary ofaJourney into North Wales. Ed. George Birkbeck
Hill. Rev. and enlarged. L. F. Powell. Oxford: Clarendon Press, 1934. 6 vols. Boussinot, Roger, ed. L'Encyclopedie du cinema. Paris: Bordas, 1967.
Bowe, Nicola Gordon. The Life and Work ofHarry Clarke. Dublin: Irish Academic
Press, 1989.
Boylan, Patricia. All Cultivated People: A History of the United Arts Club, Dublin.
Gerrards Cross, Bucks. , UK: Colin Smythe, 1988.
Bredsdorff, Elias. Hans Christian Andersen: The Story ofHis Life and Work, 1805-75.
London: Phaidon Press, 1975.
Breton, Andre. "Wolfgang Paalen. " Tr. Samuel Beckett. London Bulletin 10
(February 1939) 16-17.
Brewer, Ebenezer Cobham. Brewer's Dictionary ofPhrase and Fable. Rev. Adrian
Room. 16th edn. New York: HarperResource-HarperCollins, 1999. Briggs, John. The Collector's Beethoven. Westport, CT: Greenwood Press, 1978. Brown, Beverly Louise, and Paola Marini. Jacopo Bassano, c. 1510-1592. Fort
Worth, TX: Kimbell Art Museum, 1993.
Brown, Christopher. Carel Fabritius: Complete Edition with a Catalogue Raisonne.
Ithaca, NY: Cornell University Press, 1981.
Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth
through Nineteenth Centuries. The Collections ofthe National Gallery of Art Systematic Catalogue. Washington, DC: National Gallery ofArt; Cambridge: Cambridge University Press, 1990.
Bruhns, Maike. Kunst in der Krise: Hamburger Kunst im "Dritten Reich. " Hamburg: Dolling und Galitz Verlag, 2001.
Bruni, Leonardo. Le vite di Dante e del Petrarca. Ed. Antonio Lanza. Rome: Archivio Guido Izzi, 1987.
Bruno, Giordano, and Tommaso Campanella. Opere di Giordano Bruno e di Tommaso Campanella. Ed. Augusto Guzzo and Romano Amerio. La Letteratura italiana; storia e testi. Milan: Riccardo Ricciardi, 1956.
723
Bibliography of works cited
Bryden, Mary, Julian Garforth, and Peter Mills, eds. Beckett at Reading: Catalogue ofthe Beckett Manuscript Collection at the University ofReading. Reading: Whiteknights Press and the Beckett International Foundation, 1998.
Budde, Rainer. Deutsche romanische Skulptur, 1050-1250. Munich: Hirmer Verlag, 1979.
Bulson, Eric. "Getting Noticed: James Joyce's Italian Translations. " Joyce Studies Annual 12 (Summer 2001) 10-37.
Camesasca, Ettore. The Complete Paintings ofWatteau. New York: Harry N. Abrams, 1968.
Carossa, Hans, and Eva Kampmann-Carossa. Gedichte: Die Veriiffentlichungen zu Lebzeiten und Gedichte aus dem Nachlass. Frankfurt: Insel, 1995.
Cartwright, David E. Historical Dictionary ofSchopenhauer's Philosophy. Lanham, MD: The Scarecrow Press, 2005.
Caselli, Daniela. "The 'Florentia Edition in the Ignoble Salani Collection': A Textual Comparison. " Journal ofBeckett Studies 9. 2 (2001) 1-20.
"The Promise of Dante in the Beckett Manuscripts. " Notes Diverse Ho! o. Special issue, Samuel Beckett Today/Aujourd'hui 16 (2006) 237-257.
Champion, Pierre. Marcel Schwab et son temps. Paris: Bernard Grasset, 1927. Chisholm, Anne. Nancy Cunard: A Biography. New York: Alfred A. Knopf,
1979.
Christiansen, Keith. "Some Observations on the Brancacci Frescoes after
their Cleaning. " Burlington Magazine 133. 1054 Oanuary 1991) 5-20. Church, Richard. "Samuel Beckett Gives us 'a riot of highbrow fun. "' Rev.
of Murphy, by Samuel Beckett. John O'London's Weekly 39. 990 (1 April
1938) 23.
Churchill, Charles. The Ghost. London: William Flexney, 1762.
Citerne, Georges, and Francis Jourdain. "French Imperialism at Work in
Madagascar. " Tr. Samuel Beckett. Negro, Anthology Made by Nancy Cunard, 1931-1933. Ed. Nancy Cunard. London: Published by Nancy Cunard at Wishart and Co. , 1934. 801-802.
Citron, Pierre. Giono: 1895-1970. Paris: Editions du Seuil, 1990. Clark, Kenneth. Rembrandt and the Italian Renaissance. London: John
Murray, 1966.
Clarke, Norma. "Anna Seward: Swan, Duckling or Goose? " New Rambler E. 7
(2003/2004) 54-67.
Cocteau, Jean. Cocteau's World: An Anthology ofWritings byJean Cocteau. Ed. and
tr. Margaret Crosland. London: Peter Owen, 1972.
Coffey, Brian. Rev. of "Sainte-Beuve, Les Meilleurs Textes. Introduction by Andre
Therive. " The Criterion 16. 64 (April 1937) 716-721. Third Person. Europa Poets 7. London: Europa Press, 1938.
724
Bibliography ofworks dted
Cohen-Solal, Annie. Sartre: A Life. New York: Pantheon Books, 1987.
Cohn, Ruby. A Beckett Canon. Theater: Theoryffext/Performance. Ann Arbor:
University ofMichigan Press, 2001.
Collection Marie Cuttoli - Henri Laugier, Paris. Basel: Galerie Beyeler, 1970. Colum, Mary. Life and the Dream. Garden City, NY: Doubleday and Co. , 1947. Colum, Padraic. "From a Work in Progress. " Rev. of"Haveth Childers
Everywhere," by James Joyce. Dublin Magazine 6. 3 Uuly-September 1931)
33-37.
Comisso, Giovanni. "The Home-Coming. " Tr. Samuel Beckett. This Quarter
2. 4 (April-May-June 1930) 675-683.
Conrad, Lore. Die romanische Schottenkirche in Regensburg und ihre
Bildsymbolsprache: Darstellung einer systematischen Deutung sakraler Kunst aus
dem Europa des 12. Jahrhunderts. 5th edn. Regensburg: Lore Conrad, 1987. Conway, Martin. Giorgione: A New Study of His Art as a Landscape Painter.
London: Ernest Benn, 1929.
Copleston, Frederick. A History ofPhilosophy. Westminster, MD: The Newman
Press, 1955. 8 vols.
Corcoran. John. "The Rev. Robert Martin Hilliard (1904-1937). " Kerry
Archaeological and Historical SocietyJournal. 2nd series, 5 (2005) 207-219. Croke, Fionnuala, ed. Samuel Beckett: A Passionfor Paintings.
Alles kommt auf so viel an: Das Hamburg-Kapitel aus den "German Diaries" 2.
Oktober-4. Dezember 1936. Transcribed by Erika Tophoven. Schenefeld:
Raamin-Press, 2003.
"Assumption. " transition 16-17 Uune 1929) 268-271.
"Beckett's Letters on 'Endgame': Extracts from His Correspondence with
Director Alan Schneider. " The Village Voice 19 March 1958: 8, 15. 720
Bibliography ofworks cited
"Cascando. " Dublin Magazine 11. 4 (October-December 1936) 3-4.
"Dante . . . Bruno. Vico . . Joyce. " Our Exagmination Round His Factification for
Incamination of Work in Progress. Paris: Shakespeare and Company,
1929. 1-22.
"Dante . . . Bruno. Vico . . Joyce. " transition 16-17 Uune 1929) 242-253. "Dante and the Lobster. " This Quarter 5. 2 (December 1932) 222-236. "Denis Devlin. " Rev. ofintercessions, by Denis Devlin. transition 27
(April-May 1938) 289-294.
Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn.
New York: Grove Press, 1984.
"Dortmunder. " transition 24 Uune 1936) 10.
Dream ofFair to Middling Women. Ed. Eoin O'Brien and Edith Fournier.
London: Calder, 1992. Rpt. New York: Arcade Publishing in association
with Riverrun Press, 1993.
Drunken Boat. Ed. James Knowlson and Felix Leakey. Reading: Whiteknights
Press, 1976.
Echo's Bones and Other Precipitates. Europa Poets 3. Paris: Europa Press, 1935. "Enueg 2. " transition 24 Uune 1936) 9.
First Love and Other Shorts. New York: Grove Press, 1974.
"From the Only Poet to a Shining Whore: for Henry Crowder to Sing. "
Henry-Music. Paris: Hours Press, 1930. [6, 12-14. J
"Geer van Velde. " London Bulletin 2 (May 1938) 15.
"German Letter of 1937. " Disjecta: Miscellaneous Writings and a Dramatic
Fragment. Ed. Ruby Cohn. Tr. Martin Esslin. New York: Grove Press,
1984. German text, 51-54; English text, 170-173.
"Home Olga. " Contempo 3. 13 (February 1934) 3.
"AnImaginativeWork! " Rev. ofTheAmaranthers,byJackB. Yeats. Dublin
Magazine 11. 3 Uuly-September 1936) 80-81.
"In Memoriam: George Reavey. " Journal ofBeckett Studies 2 (Summer 1977). "Le Concentrisme. " Disjecta: Miscellaneous Writings and a Dramatic Fragment.
Ed. Ruby Cohn. New York: Grove Press, 1984. 35-42.
"Letters to Barney Rasset. " The Review ofContemporary Fiction 10. 3 (Fall 1990)
64-71.
"Malacoda. " transition 24 Uune 1936) 8.
More Pricks Than Kicks. London: Chatto and Windus, 1934.
More Pricks Than Kicks. New York: Grove Press, 1972.
Murphy. London: Routledge, 1938. Rpt. New York: Grove Press, 1957.
No Author Better Served: The Correspondence ofSamuel Beckett and Alan Schneider.
Ed. Maurice Harmon. Cambridge, MA: Harvard University Press, 1998. "Ooftish. " transition 27 (April-May 1938) 33.
"Poemes 38-39. " Les Temps Modernes 2. 14 (November 1946) 288-293.
721
Bibliography of works cited
Poemes, suivi de mirlitonnades. Paris: Les Editions de Minuit, 1978.
Poems 1930-1989. London: Calder Publications, 2002.
Premier Amour. Paris: Les Editions de Minuit, 1970.
Proust. The Dolphin Books. London: Chatto and Windus, 1931. Rpt. New
York: Grove Press, 1957.
"Return to the Vestry. " The New Review 1. 3 (August-September-October
1931) 98-99.
"Sedendo et Quiesciendo [for Quiescendo]. " transition 21 (March 1932) 13-20. "Three Dialogues with Georges Duthuit. " Disjecta: Miscellaneous Writings
and a Dramatic Fragment. Ed. Ruby Cohn. New York: Grove Press, 1984.
138-145.
Whoroscope. Paris: Hours Press, 1930.
[Beckett, Samuel. ] Andrew Belis, pseud. "Recent Irish Poetry. " The Bookman 86. 515 (August 1934) 235-236.
Beckett, Samuel, and Erich Franzen. "Correspondence on Translating MOLLOY. " Babel 3 (Spring 1984) 21-35.
Beckett, Samuel, and Barney Rosset. "The Godot Letters: A Lasting Effect" (Letters of Samuel Beckett and Barney Rosset). The New Theater Review [now Lincoln Center Theater Review] 12 (Spring 1995) 10-13.
Bell, J. Bowyer. "Waiting for Mario: The Espositos, Joyce, and Beckett. " Eire-Ireland 30. 2 (1995) 7-26.
Belmont, Georges. Souvenirs d'outre-monde: Histoire d'une naissance. Paris: Calmann-Ikvy, 2001.
Benezit, Emmanuel, ed. Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs de tous les temps et de taus les pays. 3rd edn. Paris: Grund, 1976.
Bentley, Edmund. Far Horizon: A Biography ofHester Dowden, Medium and Psychic Investigator. London: Rider and Company, 1951.
Bergson, Henri. Creative Evolution. Tr. Arthur Mitchell. London: Macmillan, 1920.
L'Evo! ution creatrice. Paris: Felix Alcan, 1907.
"Introduction a la metaphysique. " Revue de Metaphysique et de Morale 11
(1903) 1-36.
Berkeley, George. Berkeley's Commonplace Book. Ed. G. A. Johnston. London:
Faber and Faber, 1931.
Bessy, Maurice, and Jean-Louis Chardans. Dictionnaire du cinema et de la
television. Paris: Pauvert, 1967-1971. 4 vols.
Bidwell, Bruce, and Linda Heffer. TheJoycean Way. Baltimore: Johns Hopkins
University Press, 1981.
Biermann, Georg. Heinrich Campendonk. Junge Kunst. Leipzig: Verlag von
Klinkhardt und Biermann, 1921.
722
Bibliography ofworks dted
Bock, Henning, Irene Geismeier, Rainald Grosshans, et al. , eds. Gemiildegalerie Berlin: Gesamtverzeichnis. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1996.
Boetzkes, Ottilie G. Salvator Rosa: Seventeenth-Century Painter, Poet and Patriot. New York: Vantage Press, 1960.
Bonfand, Alain, Christophe Duvivier, Edda Maillet, Jerome Serri, and Guy Tosatto. Otto Freundlich. Rochechouart: Musee Departemental de Rochechouart, 1988.
The Book of Common Prayer . . . The Church of Ireland. Dublin: Association for Promoting Christian Knowledge, Church oflreland, 1927.
"Books and Authors. " Everyman 75 (3 July 1930) 728.
Boswell, James. Boswell's Life of]ohnson, Together with Boswell'sJournal ofa Tour to the
Hebrides andJohnson's Diary ofaJourney into North Wales. Ed. George Birkbeck
Hill. Rev. and enlarged. L. F. Powell. Oxford: Clarendon Press, 1934. 6 vols. Boussinot, Roger, ed. L'Encyclopedie du cinema. Paris: Bordas, 1967.
Bowe, Nicola Gordon. The Life and Work ofHarry Clarke. Dublin: Irish Academic
Press, 1989.
Boylan, Patricia. All Cultivated People: A History of the United Arts Club, Dublin.
Gerrards Cross, Bucks. , UK: Colin Smythe, 1988.
Bredsdorff, Elias. Hans Christian Andersen: The Story ofHis Life and Work, 1805-75.
London: Phaidon Press, 1975.
Breton, Andre. "Wolfgang Paalen. " Tr. Samuel Beckett. London Bulletin 10
(February 1939) 16-17.
Brewer, Ebenezer Cobham. Brewer's Dictionary ofPhrase and Fable. Rev. Adrian
Room. 16th edn. New York: HarperResource-HarperCollins, 1999. Briggs, John. The Collector's Beethoven. Westport, CT: Greenwood Press, 1978. Brown, Beverly Louise, and Paola Marini. Jacopo Bassano, c. 1510-1592. Fort
Worth, TX: Kimbell Art Museum, 1993.
Brown, Christopher. Carel Fabritius: Complete Edition with a Catalogue Raisonne.
Ithaca, NY: Cornell University Press, 1981.
Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth
through Nineteenth Centuries. The Collections ofthe National Gallery of Art Systematic Catalogue. Washington, DC: National Gallery ofArt; Cambridge: Cambridge University Press, 1990.
Bruhns, Maike. Kunst in der Krise: Hamburger Kunst im "Dritten Reich. " Hamburg: Dolling und Galitz Verlag, 2001.
Bruni, Leonardo. Le vite di Dante e del Petrarca. Ed. Antonio Lanza. Rome: Archivio Guido Izzi, 1987.
Bruno, Giordano, and Tommaso Campanella. Opere di Giordano Bruno e di Tommaso Campanella. Ed. Augusto Guzzo and Romano Amerio. La Letteratura italiana; storia e testi. Milan: Riccardo Ricciardi, 1956.
723
Bibliography of works cited
Bryden, Mary, Julian Garforth, and Peter Mills, eds. Beckett at Reading: Catalogue ofthe Beckett Manuscript Collection at the University ofReading. Reading: Whiteknights Press and the Beckett International Foundation, 1998.
Budde, Rainer. Deutsche romanische Skulptur, 1050-1250. Munich: Hirmer Verlag, 1979.
Bulson, Eric. "Getting Noticed: James Joyce's Italian Translations. " Joyce Studies Annual 12 (Summer 2001) 10-37.
Camesasca, Ettore. The Complete Paintings ofWatteau. New York: Harry N. Abrams, 1968.
Carossa, Hans, and Eva Kampmann-Carossa. Gedichte: Die Veriiffentlichungen zu Lebzeiten und Gedichte aus dem Nachlass. Frankfurt: Insel, 1995.
Cartwright, David E. Historical Dictionary ofSchopenhauer's Philosophy. Lanham, MD: The Scarecrow Press, 2005.
Caselli, Daniela. "The 'Florentia Edition in the Ignoble Salani Collection': A Textual Comparison. " Journal ofBeckett Studies 9. 2 (2001) 1-20.
"The Promise of Dante in the Beckett Manuscripts. " Notes Diverse Ho! o. Special issue, Samuel Beckett Today/Aujourd'hui 16 (2006) 237-257.
Champion, Pierre. Marcel Schwab et son temps. Paris: Bernard Grasset, 1927. Chisholm, Anne. Nancy Cunard: A Biography. New York: Alfred A. Knopf,
1979.
Christiansen, Keith. "Some Observations on the Brancacci Frescoes after
their Cleaning. " Burlington Magazine 133. 1054 Oanuary 1991) 5-20. Church, Richard. "Samuel Beckett Gives us 'a riot of highbrow fun. "' Rev.
of Murphy, by Samuel Beckett. John O'London's Weekly 39. 990 (1 April
1938) 23.
Churchill, Charles. The Ghost. London: William Flexney, 1762.
Citerne, Georges, and Francis Jourdain. "French Imperialism at Work in
Madagascar. " Tr. Samuel Beckett. Negro, Anthology Made by Nancy Cunard, 1931-1933. Ed. Nancy Cunard. London: Published by Nancy Cunard at Wishart and Co. , 1934. 801-802.
Citron, Pierre. Giono: 1895-1970. Paris: Editions du Seuil, 1990. Clark, Kenneth. Rembrandt and the Italian Renaissance. London: John
Murray, 1966.
Clarke, Norma. "Anna Seward: Swan, Duckling or Goose? " New Rambler E. 7
(2003/2004) 54-67.
Cocteau, Jean. Cocteau's World: An Anthology ofWritings byJean Cocteau. Ed. and
tr. Margaret Crosland. London: Peter Owen, 1972.
Coffey, Brian. Rev. of "Sainte-Beuve, Les Meilleurs Textes. Introduction by Andre
Therive. " The Criterion 16. 64 (April 1937) 716-721. Third Person. Europa Poets 7. London: Europa Press, 1938.
724
Bibliography ofworks dted
Cohen-Solal, Annie. Sartre: A Life. New York: Pantheon Books, 1987.
Cohn, Ruby. A Beckett Canon. Theater: Theoryffext/Performance. Ann Arbor:
University ofMichigan Press, 2001.
Collection Marie Cuttoli - Henri Laugier, Paris. Basel: Galerie Beyeler, 1970. Colum, Mary. Life and the Dream. Garden City, NY: Doubleday and Co. , 1947. Colum, Padraic. "From a Work in Progress. " Rev. of"Haveth Childers
Everywhere," by James Joyce. Dublin Magazine 6. 3 Uuly-September 1931)
33-37.
Comisso, Giovanni. "The Home-Coming. " Tr. Samuel Beckett. This Quarter
2. 4 (April-May-June 1930) 675-683.
Conrad, Lore. Die romanische Schottenkirche in Regensburg und ihre
Bildsymbolsprache: Darstellung einer systematischen Deutung sakraler Kunst aus
dem Europa des 12. Jahrhunderts. 5th edn. Regensburg: Lore Conrad, 1987. Conway, Martin. Giorgione: A New Study of His Art as a Landscape Painter.
London: Ernest Benn, 1929.
Copleston, Frederick. A History ofPhilosophy. Westminster, MD: The Newman
Press, 1955. 8 vols.
Corcoran. John. "The Rev. Robert Martin Hilliard (1904-1937). " Kerry
Archaeological and Historical SocietyJournal. 2nd series, 5 (2005) 207-219. Croke, Fionnuala, ed. Samuel Beckett: A Passionfor Paintings.
