No More Learning

Open the window--sit by me. "
"What ails thee, dear? "--"I feel depressed.
Relate some ancient history. "
"But which, my dear? --In days of yore
Within my memory I bore
Many an ancient legend which
In monsters and fair dames was rich;
But now my mind is desolate,
What once I knew is clean forgot--
Alas! how wretched now my lot! "
"But tell me, nurse, can you relate
The days which to your youth belong?
Were you in love when you were young? "--

XVIII

"Alack! Tattiana," she replied,
"We never loved in days of old,
My mother-in-law who lately died(34)
Had killed me had the like been told. "
"How came you then to wed a man? "--
"Why, as God ordered! My Ivan
Was younger than myself, my light,
For I myself was thirteen quite;(35)
The matchmaker a fortnight sped,
Her suit before my parents pressing:
At last my father gave his blessing,
And bitter tears of fright I shed.
Weeping they loosed my tresses long(36)
And led me off to church with song. "

[Note 34: A young married couple amongst Russian peasants
reside in the house of the bridegroom's father till the
"tiaglo," or family circle is broken up by his death. ]

[Note 35: Marriages amongst Russian serfs used formerly to
take place at ridiculously early ages. Haxthausen asserts
that strong hearty peasant women were to be seen at work
in the fields with their infant husbands in their arms. The
inducement lay in the fact that the "tiaglo" (see previous
note) received an additional lot of the communal land for
every male added to its number, though this could have formed
an inducement in the southern and fertile provinces of Russia
only, as it is believed that agriculture in the north is so
unremunerative that land has often to be forced upon the
peasants, in order that the taxes, for which the whole Commune
is responsible to Government, may be paid. The abuse of early
marriages was regulated by Tsar Nicholas. ]

[Note 36: Courtships were not unfrequently carried on in the
larger villages, which alone could support such an individual,
by means of a "svakha," or matchmaker. In Russia unmarried
girls wear their hair in a single long plait or tail, "kossa;"
the married women, on the other hand, in two, which are twisted
into the head-gear. ]

XIX

"Then amongst strangers I was left--
But I perceive thou dost not heed--"
"Alas! dear nurse, my heart is cleft,
Mortally sick I am indeed.
Behold, my sobs I scarce restrain--"
"My darling child, thou art in pain. --
The Lord deliver her and save!
Tell me at once what wilt thou have?
I'll sprinkle thee with holy water. --
How thy hands burn! "--"Dear nurse, I'm well.
I am--in love--you know--don't tell! "
"The Lord be with thee, O my daughter! "--
And the old nurse a brief prayer said
And crossed with trembling hand the maid.

XX

"I am in love," her whispers tell
The aged woman in her woe:
"My heart's delight, thou art not well. "--
"I am in love, nurse! leave me now. "
Behold! the moon was shining bright
And showed with an uncertain light
Tattiana's beauty, pale with care,
Her tears and her dishevelled hair;
And on the footstool sitting down
Beside our youthful heroine fair,
A kerchief round her silver hair
The aged nurse in ample gown,(37)
Whilst all creation seemed to dream
Enchanted by the moon's pale beam.

[Note 37: It is thus that I am compelled to render a female
garment not known, so far as I am aware, to Western Europe.
It is called by the natives "doushegreika," that is to say,
"warmer of the soul"--in French, chaufferette de l'ame. It
is a species of thick pelisse worn over the "sarafan," or
gown. ]

XXI

But borne in spirit far away
Tattiana gazes on the moon,
And starting suddenly doth say:
"Nurse, leave me. I would be alone.
Pen, paper bring: the table too
Draw near. I soon to sleep shall go--
Good-night. " Behold! she is alone!
'Tis silent--on her shines the moon--
Upon her elbow she reclines,
And Eugene ever in her soul
Indites an inconsiderate scroll
Wherein love innocently pines.
Now it is ready to be sent--
For whom, Tattiana, is it meant?

XXII

I have known beauties cold and raw
As Winter in their purity,
Striking the intellect with awe
By dull insensibility,
And I admired their common sense
And natural benevolence,
But, I acknowledge, from them fled;
For on their brows I trembling read
The inscription o'er the gates of Hell
"Abandon hope for ever here! "(38)
Love to inspire doth woe appear
To such--delightful to repel.
Perchance upon the Neva e'en
Similar dames ye may have seen.

[Note 38: A Russian annotator complains that the poet has
mutilated Dante's famous line. ]

XXIII

Amid submissive herds of men
Virgins miraculous I see,
Who selfishly unmoved remain
Alike by sighs and flattery.
But what astonished do I find
When harsh demeanour hath consigned
A timid love to banishment? --
On fresh allurements they are bent,
At least by show of sympathy;
At least their accents and their words
Appear attuned to softer chords;
And then with blind credulity
The youthful lover once again
Pursues phantasmagoria vain.

XXIV

Why is Tattiana guiltier deemed? --
Because in singleness of thought
She never of deception dreamed
But trusted the ideal she wrought? --
Because her passion wanted art,
Obeyed the impulses of heart? --
Because she was so innocent,
That Heaven her character had blent
With an imagination wild,
With intellect and strong volition
And a determined disposition,
An ardent heart and yet so mild? --
Doth love's incautiousness in her
So irremissible appear?

XXV

O ye whom tender love hath pained
Without the ken of parents both,
Whose hearts responsive have remained
To the impressions of our youth,
The all-entrancing joys of love--
Young ladies, if ye ever strove
The mystic lines to tear away
A lover's letter might convey,
Or into bold hands anxiously
Have e'er a precious tress consigned,
Or even, silent and resigned,
When separation's hour drew nigh,
Have felt love's agitated kiss
With tears, confused emotions, bliss,--

XXVI

With unanimity complete,
Condemn not weak Tattiana mine;
Do not cold-bloodedly repeat
The sneers of critics superfine;
And you, O maids immaculate,
Whom vice, if named, doth agitate
E'en as the presence of a snake,
I the same admonition make.
Who knows? with love's consuming flame
Perchance you also soon may burn,
Then to some gallant in your turn
Will be ascribed by treacherous Fame
The triumph of a conquest new.
The God of Love is after you!

XXVII

A coquette loves by calculation,
Tattiana's love was quite sincere,
A love which knew no limitation,
Even as the love of children dear.
She did not think "procrastination
Enhances love in estimation
And thus secures the prey we seek.
His vanity first let us pique
With hope and then perplexity,
Excruciate the heart and late
With jealous fire resuscitate,
Lest jaded with satiety,
The artful prisoner should seek
Incessantly his chains to break. "

XXVIII

I still a complication view,
My country's honour and repute
Demands that I translate for you
The letter which Tattiana wrote.
At Russ she was by no means clever
And read our newspapers scarce ever,
And in her native language she
Possessed nor ease nor fluency,
So she in French herself expressed.
I cannot help it I declare,
Though hitherto a lady ne'er
In Russ her love made manifest,
And never hath our language proud
In correspondence been allowed. (39)

[Note 39: It is well known that until the reign of the late Tsar
French was the language of the Russian court and of Russian
fashionable society. It should be borne in mind that at the time
this poem was written literary warfare more or less open was
being waged between two hostile schools of Russian men of
letters. These consisted of the _Arzamass_, or French school, to
which Pushkin himself together with his uncle Vassili Pushkin
the "Nestor of the Arzamass" belonged, and their opponents who
devoted themselves to the cultivation of the vernacular. ]

XXIX

They wish that ladies should, I hear,
Learn Russian, but the Lord defend!
I can't conceive a little dear
With the "Well-Wisher" in her hand! (40)
I ask, all ye who poets are,
Is it not true? the objects fair,
To whom ye for unnumbered crimes
Had to compose in secret rhymes,
To whom your hearts were consecrate,--
Did they not all the Russian tongue
With little knowledge and that wrong
In charming fashion mutilate?
Did not their lips with foreign speech
The native Russian tongue impeach?

[Note 40: The "Blago-Namierenni," or "Well-Wisher," was an
inferior Russian newspaper of the day, much scoffed at by
contemporaries. The editor once excused himself for some
gross error by pleading that he had been "on the loose. "]

XXX

God grant I meet not at a ball
Or at a promenade mayhap,
A schoolmaster in yellow shawl
Or a professor in tulle cap.
As rosy lips without a smile,
The Russian language I deem vile
Without grammatical mistakes.
May be, and this my terror wakes,
The fair of the next generation,
As every journal now entreats,
Will teach grammatical conceits,
Introduce verse in conversation.
But I--what is all this to me?
Will to the old times faithful be.

XXXI

Speech careless, incorrect, but soft,
With inexact pronunciation
Raises within my breast as oft
As formerly much agitation.
Repentance wields not now her spell
And gallicisms I love as well
As the sins of my youthful days
Or Bogdanovitch's sweet lays. (41)
But I must now employ my Muse
With the epistle of my fair;
I promised! --Did I so? --Well, there!
Now I am ready to refuse.
I know that Parny's tender pen(42)
Is no more cherished amongst men.

[Note 41: Hippolyte Bogdanovitch--b. 1743, d. 1803--though
possessing considerable poetical talent was like many other
Russian authors more remarkable for successful imitation
than for original genius. His most remarkable production
is "Doushenka," "The Darling," a composition somewhat in
the style of La Fontaine's "Psyche. " Its merit consists in
graceful phraseology, and a strong pervading sense of humour. ]

[Note 42: Parny--a French poet of the era of the first Napoleon,
b. 1753, d. 1814. Introduced to the aged Voltaire during
his last visit to Paris, the patriarch laid his hands upon
the youth's head and exclaimed: "Mon cher Tibulle. " He is
chiefly known for his erotic poetry which attracted the
affectionate regard of the youthful Pushkin when a student
at the Lyceum. We regret to add that, having accepted a
pension from Napoleon, Parny forthwith proceeded to damage
his literary reputation by inditing an "epic" poem entitled
"Goddam! Goddam! par un French--Dog. " It is descriptive
of the approaching conquest of Britain by Napoleon, and
treats the embryo enterprise as if already conducted to a
successful conclusion and become matter of history. A good
account of the bard and his creations will be found in the
_Saturday Review_ of the 2d August 1879. ]

XXXII

Bard of the "Feasts," and mournful breast,(43)
If thou wert sitting by my side,
With this immoderate request
I should alarm our friendship tried:
In one of thine enchanting lays
To russify the foreign phrase
Of my impassioned heroine.
Where art thou? Come! pretensions mine
I yield with a low reverence;
But lonely beneath Finnish skies
Where melancholy rocks arise
He wanders in his indolence;
Careless of fame his spirit high
Hears not my importunity!

[Note 43: Evgeny Baratynski, a contemporary of Pushkin and a
lyric poet of some originality and talent. The "Feasts" is
a short brilliant poem in praise of conviviality. Pushkin
is therein praised as the best of companions "beside the
bottle. "]

XXXIII

Tattiana's letter I possess,
I guard it as a holy thing,
And though I read it with distress,
I'm o'er it ever pondering.
Inspired by whom this tenderness,
This gentle daring who could guess?
Who this soft nonsense could impart,
Imprudent prattle of the heart,
Attractive in its banefulness?
I cannot understand. But lo!
A feeble version read below,
A print without the picture's grace,
Or, as it were, the Freischutz' score
Strummed by a timid schoolgirl o'er.


Tattiana's Letter to Oneguine

I write to you! Is more required?
Can lower depths beyond remain?
'Tis in your power now, if desired,
To crush me with a just disdain.
But if my lot unfortunate
You in the least commiserate
You will not all abandon me.
At first, I clung to secrecy:
Believe me, of my present shame
You never would have heard the name,
If the fond hope I could have fanned
At times, if only once a week,
To see you by our fireside stand,
To listen to the words you speak,
Address to you one single phrase
And then to meditate for days
Of one thing till again we met.
'Tis said you are a misanthrope,
In country solitude you mope,
And we--an unattractive set--
Can hearty welcome give alone.
Why did you visit our poor place?
Forgotten in the village lone,
I never should have seen your face
And bitter torment never known.
The untutored spirit's pangs calmed down
By time (who can anticipate? )
I had found my predestinate,
Become a faithful wife and e'en
A fond and careful mother been.

Another! to none other I
My heart's allegiance can resign,
My doom has been pronounced on high,
'Tis Heaven's will and I am thine.
The sum of my existence gone
But promise of our meeting gave,
I feel thou wast by God sent down
My guardian angel to the grave.
Thou didst to me in dreams appear,
Unseen thou wast already dear.
Thine eye subdued me with strange glance,
I heard thy voice's resonance
Long ago. Dream it cannot be!
Scarce hadst thou entered thee I knew,
I flushed up, stupefied I grew,
And cried within myself: 'tis he!
Is it not truth? in tones suppressed
With thee I conversed when I bore
Comfort and succour to the poor,
And when I prayer to Heaven addressed
To ease the anguish of my breast.
Nay! even as this instant fled,
Was it not thou, O vision bright,
That glimmered through the radiant night
And gently hovered o'er my head?
Was it not thou who thus didst stoop
To whisper comfort, love and hope?
Who art thou? Guardian angel sent
Or torturer malevolent?
Doubt and uncertainty decide:
All this may be an empty dream,
Delusions of a mind untried,
Providence otherwise may deem--
Then be it so! My destiny
From henceforth I confide to thee!
Lo! at thy feet my tears I pour
And thy protection I implore.
Imagine! Here alone am I!
No one my anguish comprehends,
At times my reason almost bends,
And silently I here must die--
But I await thee: scarce alive
My heart with but one look revive;
Or to disturb my dreams approach
Alas! with merited reproach.

'Tis finished. Horrible to read!
With shame I shudder and with dread--
But boldly I myself resign:
Thine honour is my countersign!

XXXIV

Tattiana moans and now she sighs
And in her grasp the letter shakes,
Even the rosy wafer dries
Upon her tongue which fever bakes.
Her head upon her breast declines
And an enchanting shoulder shines
From her half-open vest of night.
But lo! already the moon's light
Is waning. Yonder valley deep
Looms gray behind the mist and morn
Silvers the brook; the shepherd's horn
Arouses rustics from their sleep.
'Tis day, the family downstairs,
But nought for this Tattiana cares.

XXXV

The break of day she doth not see,
But sits in bed with air depressed,
Nor on the letter yet hath she
The image of her seal impressed.
But gray Phillippevna the door
Opened with care, and entering bore
A cup of tea upon a tray.
"'Tis time, my child, arise, I pray!
My beauty, thou art ready too.
My morning birdie, yesternight
I was half silly with affright.
But praised be God! in health art thou!
The pains of night have wholly fled,
Thy cheek is as a poppy red! "

XXXVI

"Ah! nurse, a favour do for me! "
"Command me, darling, what you choose"
"Do not--you might--suspicious be;
But look you--ah! do not refuse. "
"I call to witness God on high--"
"Then send your grandson quietly
To take this letter to O-- Well!
Unto our neighbour. Mind you tell--
Command him not to say a word--
I mean my name not to repeat. "
"To whom is it to go, my sweet?
Of late I have been quite absurd,--
So many neighbours here exist--
Am I to go through the whole list? "

XXXVII

"How dull you are this morning, nurse! "
"My darling, growing old am I!
In age the memory gets worse,
But I was sharp in times gone by.
In times gone by thy bare command--"
"Oh! nurse, nurse, you don't understand!
What is thy cleverness to me?
The letter is the thing, you see,--
Oneguine's letter! "--"Ah! the thing!
Now don't be cross with me, my soul,
You know that I am now a fool--
But why are your cheeks whitening? "
"Nothing, good nurse, there's nothing wrong,
But send your grandson before long. "

XXXVIII

No answer all that day was borne.
Another passed; 'twas just the same.
Pale as a ghost and dressed since morn
Tattiana waits. No answer came!
Olga's admirer came that day:
"Tell me, why doth your comrade stay? "
The hostess doth interrogate:
"He hath neglected us of late. "--
Tattiana blushed, her heart beat quick--
"He promised here this day to ride,"
Lenski unto the dame replied,
"The post hath kept him, it is like. "
Shamefaced, Tattiana downward looked
As if he cruelly had joked!

XXXIX

'Twas dusk!
Upon the table bright
Shrill sang the _samovar_ at eve,(44)
The china teapot too ye might
In clouds of steam above perceive.
Into the cups already sped
By Olga's hand distributed
The fragrant tea in darkling stream,
And a boy handed round the cream.
Tania doth by the casement linger
And breathes upon the chilly glass,
Dreaming of what not, pretty lass,
And traces with a slender finger
Upon its damp opacity,
The mystic monogram, O. E.

[Note 44: The _samovar_, i. e. "self-boiler," is merely an
urn for hot water having a fire in the center. We may observe
a similar contrivance in our own old-fashioned tea-urns which
are provided with a receptacle for a red-hot iron cylinder in
center. The tea-pot is usually placed on the top of the
_samovar_. ]

XL

In the meantime her spirit sinks,
Her weary eyes are filled with tears--
A horse's hoofs she hears--She shrinks!
Nearer they come--Eugene appears!
Ah! than a spectre from the dead
More swift the room Tattiana fled,
From hall to yard and garden flies,
Not daring to cast back her eyes.
She fears and like an arrow rushes
Through park and meadow, wood and brake,
The bridge and alley to the lake,
Brambles she snaps and lilacs crushes,
The flowerbeds skirts, the brook doth meet,
Till out of breath upon a seat

XLI

She sank. --
"He's here! Eugene is here!
Merciful God, what will he deem? "
Yet still her heart, which torments tear,
Guards fondly hope's uncertain dream.
She waits, on fire her trembling frame--
Will he pursue? --But no one came.
She heard of servant-maids the note,
Who in the orchards gathered fruit,
Singing in chorus all the while.
(This by command; for it was found,
However cherries might abound,
They disappeared by stealth and guile,
So mouths they stopt with song, not fruit--
Device of rural minds acute! )


The Maidens' Song

Young maidens, fair maidens,
Friends and companions,
Disport yourselves, maidens,
Arouse yourselves, fair ones.
Come sing we in chorus
The secrets of maidens.
Allure the young gallant
With dance and with song.
As we lure the young gallant,
Espy him approaching,
Disperse yourselves, darlings,
And pelt him with cherries,
With cherries, red currants,
With raspberries, cherries.
Approach not to hearken
To secrets of virgins,
Approach not to gaze at
The frolics of maidens.

XLII

They sang, whilst negligently seated,
Attentive to the echoing sound,
Tattiana with impatience waited
Until her heart less high should bound--
Till the fire in her cheek decreased;
But tremor still her frame possessed,
Nor did her blushes fade away,
More crimson every moment they.
Thus shines the wretched butterfly,
With iridescent wing doth flap
When captured in a schoolboy's cap;
Thus shakes the hare when suddenly
She from the winter corn espies
A sportsman who in covert lies.

XLIII

But finally she heaves a sigh,
And rising from her bench proceeds;
But scarce had turned the corner nigh,
Which to the neighbouring alley leads,
When Eugene like a ghost did rise
Before her straight with roguish eyes.
Tattiana faltered, and became
Scarlet as burnt by inward flame.
But this adventure's consequence
To-day, my friends, at any rate,
I am not strong enough to state;
I, after so much eloquence,
Must take a walk and rest a bit--
Some day I'll somehow finish it.


End of Canto the Third


CANTO THE FOURTH

Rural Life

'La Morale est dans la nature des choses. '--Necker


Canto The Fourth

[Mikhailovskoe, 1825]

I

THE less we love a lady fair
The easier 'tis to gain her grace,
And the more surely we ensnare
Her in the pitfalls which we place.
Time was when cold seduction strove
To swagger as the art of love,
Everywhere trumpeting its feats,
Not seeking love but sensual sweets.
But this amusement delicate
Was worthy of that old baboon,
Our fathers used to dote upon;
The Lovelaces are out of date,
Their glory with their heels of red
And long perukes hath vanished.

II

For who imposture can endure,
A constant harping on one tune,
Serious endeavours to assure
What everybody long has known;
Ever to hear the same replies
And overcome antipathies
Which never have existed, e'en
In little maidens of thirteen?
And what like menaces fatigues,
Entreaties, oaths, fictitious fear,
Epistles of six sheets or near,
Rings, tears, deceptions and intrigues,
Aunts, mothers and their scrutiny,
And husbands' tedious amity?

III

Such were the musings of Eugene.
He in the early years of life
Had a deluded victim been
Of error and the passions' strife.
By daily life deteriorated,
Awhile this beauty captivated,
And that no longer could inspire.
Slowly exhausted by desire,
Yet satiated with success,
In solitude or worldly din,
He heard his soul's complaint within,
With laughter smothered weariness:
And thus he spent eight years of time,
Destroyed the blossom of his prime.

IV

Though beauty he no more adored,
He still made love in a queer way;
Rebuffed--as quickly reassured,
Jilted--glad of a holiday.
Without enthusiasm he met
The fair, nor parted with regret,
Scarce mindful of their love and guile.
Thus a guest with composure will
To take a hand at whist oft come:
He takes his seat, concludes his game,
And straight returning whence he came,
Tranquilly goes to sleep at home,
And in the morning doth not know
Whither that evening he will go.

V

However, Tania's letter reading,
Eugene was touched with sympathy;
The language of her girlish pleading
Aroused in him sweet reverie.
He called to mind Tattiana's grace,
Pallid and melancholy face,
And in a vision, sinless, bright,
His spirit sank with strange delight.
May be the empire of the sense,
Regained authority awhile,
But he desired not to beguile
Such open-hearted innocence.
But to the garden once again
Wherein we lately left the twain.

VI

Two minutes they in silence spent,
Oneguine then approached and said:
"You have a letter to me sent.
Do not excuse yourself. I read
Confessions which a trusting heart
May well in innocence impart.
Charming is your sincerity,
Feelings which long had ceased to be
It wakens in my breast again.
But I came not to adulate:
Your frankness I shall compensate
By an avowal just as plain.
An ear to my confession lend;
To thy decree my will I bend.

VII

"If the domestic hearth could bless--
My sum of happiness contained;
If wife and children to possess
A happy destiny ordained:
If in the scenes of home I might
E'en for an instant find delight,
Then, I say truly, none but thee
I would desire my bride to be--
I say without poetic phrase,
Found the ideal of my youth,
Thee only would I choose, in truth,
As partner of my mournful days,
Thee only, pledge of all things bright,
And be as happy--as I might.

VIII

"But strange am I to happiness;
'Tis foreign to my cast of thought;
Me your perfections would not bless;
I am not worthy them in aught;
And honestly 'tis my belief
Our union would produce but grief.
Though now my love might be intense,
Habit would bring indifference.
I see you weep. Those tears of yours
Tend not my heart to mitigate,
But merely to exasperate;
Judge then what roses would be ours,
What pleasures Hymen would prepare
For us, may be for many a year.

IX

"What can be drearier than the house,
Wherein the miserable wife
Deplores a most unworthy spouse
And leads a solitary life?
The tiresome man, her value knowing,
Yet curses on his fate bestowing,
Is full of frigid jealousy,
Mute, solemn, frowning gloomily.
Such am I. This did ye expect,
When in simplicity ye wrote
Your innocent and charming note
With so much warmth and intellect?
Hath fate apportioned unto thee
This lot in life with stern decree?

X

"Ideas and time ne'er backward move;
My soul I cannot renovate--
I love you with a brother's love,
Perchance one more affectionate.
Listen to me without disdain.
A maid hath oft, may yet again
Replace the visions fancy drew;
Thus trees in spring their leaves renew
As in their turn the seasons roll.
'Tis evidently Heaven's will
You fall in love again. But still--
Learn to possess more self-control.
Not all will like myself proceed--
And thoughtlessness to woe might lead. "

XI

Thus did our friend Oneguine preach:
Tattiana, dim with tears her eyes,
Attentive listened to his speech,
All breathless and without replies.
His arm he offers. Mute and sad
(_Mechanically_, let us add),
Tattiana doth accept his aid;
And, hanging down her head, the maid
Around the garden homeward hies.
Together they returned, nor word
Of censure for the same incurred;
The country hath its liberties
And privileges nice allowed,
Even as Moscow, city proud.

XII

Confess, O ye who this peruse,
Oneguine acted very well
By poor Tattiana in the blues;
'Twas not the first time, I can tell
You, he a noble mind disclosed,
Though some men, evilly disposed,
Spared him not their asperities.
His friends and also enemies
(One and the same thing it may be)
Esteemed him much as the world goes.
Yes! every one must have his foes,
But Lord! from friends deliver me!
The deuce take friends, my friends, amends
I've had to make for having friends!

XIII

But how? Quite so. Though I dismiss
Dark, unavailing reverie,
I just hint, in parenthesis,
There is no stupid calumny
Born of a babbler in a loft
And by the world repeated oft,
There is no fishmarket retort
And no ridiculous report,
Which your true friend with a sweet smile
Where fashionable circles meet
A hundred times will not repeat,
Quite inadvertently meanwhile;
And yet he in your cause would strive
And loves you as--a relative!

XIV

Ahem! Ahem! My reader noble,
Are all your relatives quite well?
Permit me; is it worth the trouble
For your instruction here to tell
What I by relatives conceive?
These are your relatives, believe:
Those whom we ought to love, caress,
With spiritual tenderness;
Whom, as the custom is of men,
We visit about Christmas Day,
Or by a card our homage pay,
That until Christmas comes again
They may forget that we exist.
And so--God bless them, if He list.

XV

In this the love of the fair sex
Beats that of friends and relatives:
In love, although its tempests vex,
Our liberty at least survives:
Agreed! but then the whirl of fashion,
The natural fickleness of passion,
The torrent of opinion,
And the fair sex as light as down!
Besides the hobbies of a spouse
Should be respected throughout life
By every proper-minded wife,
And this the faithful one allows,
When in as instant she is lost,--
Satan will jest, and at love's cost.

XVI

Oh! where bestow our love? Whom trust?
Where is he who doth not deceive?
Who words and actions will adjust
To standards in which we believe?
Oh! who is not calumnious?
Who labours hard to humour us?
To whom are our misfortunes grief
And who is not a tiresome thief?
My venerated reader, oh!
Cease the pursuit of shadows vain,
Spare yourself unavailing pain
And all your love on self bestow;
A worthy object 'tis, and well
I know there's none more amiable.

XVII

But from the interview what flowed?
Alas! It is not hard to guess.
The insensate fire of love still glowed
Nor discontinued to distress
A spirit which for sorrow yearned.
Tattiana more than ever burned
With hopeless passion: from her bed
Sweet slumber winged its way and fled.
Her health, life's sweetness and its bloom,
Her smile and maidenly repose,
All vanished as an echo goes.
Across her youth a shade had come,
As when the tempest's veil is drawn
Across the smiling face of dawn.

XVIII

Alas! Tattiana fades away,
Grows pale and sinks, but nothing says;
Listless is she the livelong day
Nor interest in aught betrays.
Shaking with serious air the head,
In whispers low the neighbours said:
'Tis time she to the altar went!
But enough! Now, 'tis my intent
The imagination to enliven
With love which happiness extends;
Against my inclination, friends,
By sympathy I have been driven.
Forgive me! Such the love I bear
My heroine, Tattiana dear.

XIX

Vladimir, hourly more a slave
To youthful Olga's beauty bright,
Into delicious bondage gave
His ardent soul with full delight.
Always together, eventide
Found them in darkness side by side,
At morn, hand clasped in hand, they rove
Around the meadow and the grove.
And what resulted? Drunk with love,
But with confused and bashful air,
Lenski at intervals would dare,
If Olga smilingly approve,
Dally with a dishevelled tress
Or kiss the border of her dress.

XX

To Olga frequently he would
Some nice instructive novel read,
Whose author nature understood
Better than Chateaubriand did
Yet sometimes pages two or three
(Nonsense and pure absurdity,
For maiden's hearing deemed unfit),
He somewhat blushing would omit:
Far from the rest the pair would creep
And (elbows on the table) they
A game of chess would often play,
Buried in meditation deep,
Till absently Vladimir took
With his own pawn alas! his rook!

XXI

Homeward returning, he at home
Is occupied with Olga fair,
An album, fly-leaf of the tome,
He leisurely adorns for her.
Landscapes thereon he would design,
A tombstone, Aphrodite's shrine,
Or, with a pen and colours fit,
A dove which on a lyre doth sit;
The "in memoriam" pages sought,
Where many another hand had signed
A tender couplet he combined,
A register of fleeting thought,
A flimsy trace of musings past
Which might for many ages last.

XXII

Surely ye all have overhauled
A country damsel's album trim,
Which all her darling friends have scrawled
From first to last page to the rim.
Behold! orthography despising,
Metreless verses recognizing
By friendship how they were abused,
Hewn, hacked, and otherwise ill-used.
Upon the opening page ye find:
_Qu'ecrirer-vouz sur ces tablettes? _
Subscribed, _toujours a vous, Annette;_
And on the last one, underlined:
_Who in thy love finds more delight
Beyond this may attempt to write_.

XXIII

Infallibly you there will find
Two hearts, a torch, of flowers a wreath,
And vows will probably be signed:
_Affectionately yours till death_.
Some army poet therein may
Have smuggled his flagitious lay.
In such an album with delight
I would, my friends, inscriptions write,
Because I should be sure, meanwhile,
My verses, kindly meant, would earn
Delighted glances in return;
That afterwards with evil smile
They would not solemnly debate
If cleverly or not I prate.

XXIV

But, O ye tomes without compare,
Which from the devil's bookcase start,
Albums magnificent which scare
The fashionable rhymester's heart!
Yea! although rendered beauteous
By Tolstoy's pencil marvellous,
Though Baratynski verses penned,(45)
The thunderbolt on you descend!
Whene'er a brilliant courtly dame
Presents her quarto amiably,
Despair and anger seize on me,
And a malicious epigram
Trembles upon my lips from spite,--
And madrigals I'm asked to write!

[Note 45: Count Tolstoy, a celebrated artist who subsequently
became Vice-President of the Academy of Arts at St. Petersburg.
Baratynski, see Note 43. ]

XXV

But Lenski madrigals ne'er wrote
In Olga's album, youthful maid,
To purest love he tuned his note
Nor frigid adulation paid.
What never was remarked or heard
Of Olga he in song averred;
His elegies, which plenteous streamed,
Both natural and truthful seemed.
Thus thou, Yazykoff, dost arise(46)
In amorous flights when so inspired,
Singing God knows what maid admired,
And all thy precious elegies,
Sometime collected, shall relate
The story of thy life and fate.

[Note 46: Yazykoff, a poet contemporary with Pushkin. He was
an author of promise--unfulfilled. ]

XXVI

Since Fame and Freedom he adored,
Incited by his stormy Muse
Odes Lenski also had outpoured,
But Olga would not such peruse.
When poets lachrymose recite
Beneath the eyes of ladies bright
Their own productions, some insist
No greater pleasure can exist
Just so! that modest swain is blest
Who reads his visionary theme
To the fair object of his dream,
A beauty languidly at rest,
Yes, happy--though she at his side
By other thoughts be occupied.

XXVII

But I the products of my Muse,
Consisting of harmonious lays,
To my old nurse alone peruse,
Companion of my childhood's days.
Or, after dinner's dull repast,
I by the button-hole seize fast
My neighbour, who by chance drew near,
And breathe a drama in his ear.
Or else (I deal not here in jokes),
Exhausted by my woes and rhymes,
I sail upon my lake at times
And terrify a swarm of ducks,
Who, heard the music of my lay,
Take to their wings and fly away.

XXVIII

But to Oneguine! _A propos_!
Friends, I must your indulgence pray.
His daily occupations, lo!
Minutely I will now portray.
A hermit's life Oneguine led,
At seven in summer rose from bed,
And clad in airy costume took
His course unto the running brook.
There, aping Gulnare's bard, he spanned
His Hellespont from bank to bank,
And then a cup of coffee drank,
Some wretched journal in his hand;
Then dressed himself. . . (*)

[Note: Stanza left unfinished by the author. ]

XXIX

Sound sleep, books, walking, were his bliss,
The murmuring brook, the woodland shade,
The uncontaminated kiss
Of a young dark-eyed country maid,
A fiery, yet well-broken horse,
A dinner, whimsical each course,
A bottle of a vintage white
And solitude and calm delight.
Such was Oneguine's sainted life,
And such unconsciously he led,
Nor marked how summer's prime had fled
In aimless ease and far from strife,
The curse of commonplace delight.
And town and friends forgotten quite.

XXX

This northern summer of our own,
On winters of the south a skit,
Glimmers and dies. This is well known,
Though we will not acknowledge it.
Already Autumn chilled the sky,
The tiny sun shone less on high
And shorter had the days become.
The forests in mysterious gloom
Were stripped with melancholy sound,
Upon the earth a mist did lie
And many a caravan on high
Of clamorous geese flew southward bound.
A weary season was at hand--
November at the gate did stand.

XXXI

The morn arises foggy, cold,
The silent fields no peasant nears,
The wolf upon the highways bold
With his ferocious mate appears.
Detecting him the passing horse
snorts, and his rider bends his course
And wisely gallops to the hill.
No more at dawn the shepherd will
Drive out the cattle from their shed,
Nor at the hour of noon with sound
Of horn in circle call them round.
Singing inside her hut the maid
Spins, whilst the friend of wintry night,
The pine-torch, by her crackles bright.

XXXII

Already crisp hoar frosts impose
O'er all a sheet of silvery dust
(Readers expect the rhyme of _rose_,
There! take it quickly, if ye must).
Behold! than polished floor more nice
The shining river clothed in ice;
A joyous troop of little boys
Engrave the ice with strident noise.
A heavy goose on scarlet feet,
Thinking to float upon the stream,
Descends the bank with care extreme,
But staggers, slips, and falls. We greet
The first bright wreathing storm of snow
Which falls in starry flakes below.

XXXIII

How in the country pass this time?
Walking? The landscape tires the eye
In winter by its blank and dim
And naked uniformity.
On horseback gallop o'er the steppe!
Your steed, though rough-shod, cannot keep
His footing on the treacherous rime
And may fall headlong any time.
Alone beneath your rooftree stay
And read De Pradt or Walter Scott! (47)
Keep your accounts! You'd rather not?
Then get mad drunk or wroth; the day
Will pass; the same to-morrow try--
You'll spend your winter famously!

[Note 47: The Abbe de Pradt: b. 1759, d. 1837. A political
pamphleteer of the French Revolution: was at first an emigre,
but made his peace with Napoleon and was appointed Archbishop
of Malines. ]

XXXIV

A true Childe Harold my Eugene
To idle musing was a prey;
At morn an icy bath within
He sat, and then the livelong day,
Alone within his habitation
And buried deep in meditation,
He round the billiard-table stalked,
The balls impelled, the blunt cue chalked;
When evening o'er the landscape looms,
Billiards abandoned, cue forgot,
A table to the fire is brought,
And he waits dinner. Lenski comes,
Driving abreast three horses gray.
"Bring dinner now without delay! "

XXXV

Upon the table in a trice
Of widow Clicquot or Moet
A blessed bottle, placed in ice,
For the young poet they display.
Like Hippocrene it scatters light,
Its ebullition foaming white
(Like other things I could relate)
My heart of old would captivate.
The last poor obol I was worth--
Was it not so? --for thee I gave,
And thy inebriating wave
Full many a foolish prank brought forth;
And oh! what verses, what delights,
Delicious visions, jests and fights!